1759 Jazzin with Armstrong, the Chicago Stompers, Bogart . Bacall and Fireworks.

I begin Jazz and Fireworks not with the visit to the Sage at Gateshead for a re-creation of the music of the early years of Louis Armstrong but a brief visit to Tynemouth for the Chicago Stompers from Italy who impressed me greatly last year and were appearing again in the 12 to 2 set on the Jazz stage adjacent to the Gibraltar Rock.

I had a difficult night in that the sleep was not restful and I woke feeling shattered and not doing anything at all, physical or mental activity. The morning was bright and going outside it was warm, too good to stay in, although I felt under some pressure to write, get the kitchen ready for the arrival of the washing although I had forgotten the previous occasion of non delivery on a Sunday morning and prepare for my trip to Nottingham next week. I was not at my best when setting off in the warm sunshine down the hill at a diagonal in the direction of the market place and the ferry. I had decided to travel only with the over the shoulder bag chair with a telescopic umbrella tucked inside as from recent experience the weather could change suddenly.

The Ferry service had promised a shuttle with two boats in use because of the festival and the closure of the Tyne Tunnel for the weekend and on arrival both ferries were across at North Shields with one just leaving and the other just arriving. The reason for this was soon apparent as we set off because we had to stop to one side to allow a gigantic transporter of motorcars, called a motor liner, to pass up the river lead and tailed by two pilot boats. This is a very chunky vessel as it has width as well as length and height. It was an awesome sight.

Arriving at the bus stop opposite the entrance to Ferry landing we had to wait nearly twenty minutes before the special free bus service arrived, having just missed one of the two regular buses and which had not waited for the arrival of the delayed ferry. In fact I learnt from one of the drivers of the two busses travelling to North Shields in one direction and Newcastle in the other that the free bus was waiting a round the corner for the two regular and fee paying customer buses to depart. By this time a second ferry had arrived although by the time passengers went on the two regular services there were fewer people waiting than I expected and we were all able to get on the free bus with ease. This takes passenger to one end of the Tynemouth High street which was full of families and couples taking advantage of the fine weather and free entertainment. There was a good crowd about with the various restaurants, bars and quick food outlets packed or with queues forming outside. Opposite the bus stop is a former church now described as “The Land of Green Ginger” and with a sub title “please enter all is not what is seems,” as a means of attraction interest in a centre which now specialises in stalls selling goods associated with health and healing and where the inside cafe also had an outside stall which was doing good business.

I had difficulty in making my way past one attraction where a contortionist Emma Kerger Bendy Em a former national Gymnast from Sydney Australia and drawn a crowd which spread across the road and pavements. The fine weather had also brought a good crowd to the grass area before the Jazz stage where the Chicago Stompers were already performing. I was able to find a space on the far side against railing to avoid my seat obscuring the view of anyone sitting on the grass. There were people standing two deep alongside the railings and around tithe benches on the main roadside.

I had seen the Stompers perform last year. They describe themselves as the Youngest Hot Jazz Orchestra in Italy. I would suggest that goes for England and most of Europe and the at least even if the musicians and singer appeared to be in their twenties with several in their early twenties. The group is based in Milano and this year performed at the Keswick Jazz festival as well as the Whitley Bay. The band are excellent musicians but also concentrate on presentation led by the vocalist Elena Pagnauzzi who introduces each song. She has a delightful personality and looks gorgeous, and has a good command of English. She only sang one number in Italian out of respect for a national musician who has recently died.

The musicians are Tiziano Codoro Cornet, Paolo Colombo Clarinet, Soprano Sax and vocals; Veronica Santagostino Baldi Tenor sax Clarinet Ukulele and Vocals; Gorigio Gallina Violin and Trombone; Mauro Porro Piano Reeds Salto C melody tenor soprano sax clarinet Cornet and also contributes vocal, Arrangements and transcriptions; Dario Lavizzari Banjo, Resophonic Guitar, Ukulele, Washboard, Piano and Vocals; Paulo Vanzulli Tuba, Drums, Vocals. Alexandro Rossi drums Percussion and Celesta. I mention the range of instruments to emphasise the versatility of the group. Added to this is their enthusiasm and the obvious enjoyment they have at playing. This was communicated to the very mixed audience. Standing the other side of railings was group of two couples one of whom was so impressed that he talked of getting information to hire the group for a beer festivals with which he is associated, I suspect he did not realise that they able to come to Britain and perform because of substantial subsidy from the Arts Council and other sponsors of the Jazz Festivals.

They performed many of their numbers on the latest 18 tune disk: It’s Tight Like That Oh Lady be Good, West End Blues, Don’t be Like That, Black Bottom. This is the second release with the first 12 numbers and from which they played, at least while I was there, having missed the opening numbers, On the Sunny Side of the Street, I’ll be a friend with pleasure, That’s my weakness now, and Borneo. Although each tune was named and introduced I failed to bring a notebook and pen with me.

I had been prepared to stay on but such was the enjoyment of the two hour performance that I new the subsequent local bands from Newcastle and Gateshead would be a disappointment. Despite the crowds this was only live music entertainment playing on the Saturday and free as Tynemouth priory grounds were closed for preparations for the evening concert by Scrip. This is a pay event and was sold out. On Sunday in addition to three more two hour performances on the Jazz stage (from Canada Switzerland and France) there would musical entertainment from the main stage with six bands or groups performing for an hour from Noon until six. Acts include a five piece soul band with international musicians, Zanf a Londoner of Scottish and Iranian Jewish Scottish, Teddy Thompson son of folk rock Richard and Linda, 90’s group Dodgy, a Newcastle band The Little Comets, and Hijak Oscar, of whom I know nothing. The cost of the visit was £1 in total for the half price ferry crossings.

On the return I took a bus to North Tyneside, to Wilkinson’s who had five of the black display albums which I bought plus one blue. Passing through the market I also bought two pounds of cherries for £2. They looked good and later I tried a couple and they are OK.

On Thursday before going to the Sage, I discovered that Chris Barber was on Tour with what he describes as a Big band, celebrating his sixty years of playing. He is 79, born in 1930. They were playing at Durham on Friday evening when I planned to travel to Leeds watch Durham play Yorkshire in the opening day of their championship game. It was looking at their itinerary that I found something wondrous amazing. There was to be a special concert in London at the former Millennium Dome in the small concert area called Indigo which would include the Acker Bilk and his Jazzmen and Kenny Ball. I was not a great fan of Kenny Ball although I have an LP. But I was there at the start of the Acker Bilk rise to fame and it was his band who played When the Saints Go Marching In for ages as the boat return from the Riverboat Shuffle to Margate one Sunday in 1958 or 1959 and which had blown the minds of Howard McGhee and Sonny Terry. The three bands in a special concert celebrating their lives. One could expect that others still alive from that era who once played with them would participate in some way. I will comment on the Long Playing records after attending the concert. When I returned from the Sage concert I attempted to book a ticket online as the event occurs on the third evening of my stay in central London. I had great difficult as the system flagged that I was already registered which I remembered was from the concert commemorating the life of Princess Diana at the new Wembley stadium attended by her sons and their friends. However I could not remember or find my password so had to change this, was given a temporary password but then this failed to work. Fortunately I found that they operated a 24 booking line and although it was after one am I spoke with an operative and got a seat on the ground floor of the hall about ten rows back which saves craning the neck and in the centre of the auditorium. Someone up there likes me despite all my shortcomings.

I had changed my mind several times during thee day whether to use public transport, or take the car all or part way to the Sage. I took the car arriving about an hour before the performance commenced, taking two rolls and half a small sweet melon for an evening meal together with a flask of coffee which I eat and drank in the car. At East I started to drink the coffee. The flask has an insert in cap which can be used to store milk or so I thought but it was empty and appeared to have drained into the flask. This had not been my intention as usually I make two separate cups with milk, put one in full and the other half, drinking then remainder . This time I poured in the black coffee before adding milk so resorted to the using the cap for the milk. The result was awful so I poured away the cup after taking a few sips.

This time I managed to pre pay the car parking charge of £3 for the evening in the correct way, remembering the problem that had arisen when last year I went to see the folk singer Judy Collins. At one point the entrance barrier stopped working and a column of cars built up with anxious mothers and their children, most daughters, made their way to the lifts down to the auditorium entrance level. There was a special concert involving young musicians which commenced at seven and was the reason why the main concert hall was not available. However I thought the use of the second hall, which is almost in the round with its red lighting and decor was an ideal venue for the recreation. Most of the audience had arrived for the three days of the Jazz Festival from all parts of the UK and further afield. One lady I overheard had flown in from the United States such is the reputation which has grown for the event. Most of the audience were in their fifties and older as were the musicians with one notable exception.

The man playing the role of young Louis Bent Persson comes from Sweden and is regarded as the best living exponent of playing in the early style of Louis for the years 1923 to 1929. Also from Sweden was the Banjo player Jacob Ullberger and from the UK trombonist Paul Munnery, the extraordinary tall drummer Nick Ward and Pianist Martin Litton together with Phil Rutherford on brass base. The star of the group was the Clarinettist Matthias Seuffert from Germany. He had taken the role of Benny Goodman last year and is a brilliant musician who plays with passion as well as skill. He was also youngest and appeared to be the leader of the group on stage.

There was no programme and writing in a small note book the numbers to remember resulted in my hands being covered in ink. I can read my writing though and can record that they played Squeeze Me, Weatherbird, West End Blues, Once in a while, Savoy Blues, Where did you stay last night, Santa Clause Blue Texas Mam Blues, King Porter Stomp, Wild Man Blues, Potato Head Blues, Alligator Crawl, Hotter than that, Ory‘s Creole Trombone.

Most of these numbers are included on a three CD set I acquired for £10 or less and which include Mabel’s Dream which I had not heard before and some of his signature favourites from his later years When it‘s sleepy time down south, Rocking Chair, Hello Dolly. Mack the Knife and When the Saints go Marching in. This was an acquisition from recent times I have three 10inch Long Play records bought between 1955 and 1957 over 50 years ago. I would have liked to have bought albums but the £5 a week income with which I received in those days had to cover everything.

On record contains information on the group The Hot seven formed in 1927 with Kid Ory his former group leader on trombone, Johnny Dodds the brilliant clarinettist, Johnny St Cyr on banjo and guitar, Li his wife nee Hardin on Piano, Baby Dodds on drums, and Pete Briggs on tuba. The album includes Willie the Weeper, Twelfth Street Rag, Alligator Blues, Chicago Breakdown and Wild Man Blues. No information is provided on the Classics album has When the Saints, West End Blues, Dipper Mouth Blues. Mahogany Hall Stomp and When its Sleepy time Down South.

Jazzin with Armstrong has some information with Strutting with some Barbecue, played at the Sage concert and refers to going about town with a Hot woman on your arm is a Hot five recording as is Tight Like this. Potato Head and Melancholy are Hot Seven recordings while Basin Street Blues is with 1929 Orchestra

It has not been jazz all the way as earlier in the week there was showing of the splendid Bogart and Bacall movie To Have and to have not. In several respects this is a reprise of his role in Casablanca. He is a worldly hirer out of his boat for fishing trips in a French colony now under the control of the Vichy government and the Nazi’s, Bacall is his serious female interest, he plays the role of some one who never talks of love, nor does Bacall, who as Slim is a pick pocket drifting from island to island, but who gets a job as a singer in the hotel bar club where they are staying and where the Pianist/ Singer is Hoagy Carmichael, a name little known to day but was an international recording star in the 1940’s. In this film Boart has a sidekick drunk played by Walter Brennan. Bogart is indifferent to politics and declines the pressure from the Hotel owner known as Frenchy, to clear the growing bill by undertaking work smuggling in people who are part of the French resistance. When he Nazis arrive and start pushing him. Slim and the sidekick around Bogart takes sides against them and assists the underground. The trio do a runner together at the end of the film leaving the resistance to dispose of the remaining Nazi’s. In 1944 the film would have raised morale on both sides of the Atlantic and it remains enjoyable over sixty years later.

And now to the Fireworks. On the Saturday evening of the Mouth of the Tyne festival there is a prolonged display usually involving large figures and constructions in South Shields as a form of contemporary artwork. There is an event by the Gypsy Green Stadium at one end of the official promenade and which slowly progress along to the car park below the Hill on which I live. The event commences at 9.30 and should end with a firework display around 11 when it dark and cold. In the first year not knowing the time table I went to Gypsy Green but had to retire because I was not dressed for the late evening cold but got to see the fireworks from the hill seeing a succession of neighbours make their way to join those who parked their cars having travelled from other parts of the Borough and beyond. Last year I just went over for the fireworks and this year I had planned to attend the whole event in the evening, after first going to the supermarket for milk, rolls and pastries for the next three days. It was cold even with the jacket and coat and it started to rain, just spots but all inclination to spend over an hour in the night air vanished, especially as I felt tired. I considered going over to overlook around 10.30 but body told me otherwise. I live about 100 yards from the edge of the hill with perhaps another 100 yards or more from where the fireworks are set off. I was shaken by the sound of the fireworks commencing around 10.45/ More than gunfire this was rocket bomb and windows at the back of the house reverberated. At Seaburn the windows had this when during the annual air display at the end of July jet planes had zoomed away over the house, but this was not just louder but the effects stronger. I bet there are complaints. While the fireworks lasted some 15 minutes there were sounds which I assume came from the constructs and figures until approach 11.30 pm. I assume the timing is scheduled to coincide when the ending of the rock concert so that those attending can watch the display as a finale before going home or coming over to South Shields for the night clubs. Just as I was writing this on Sunday night there was a brief burst of fireworks, presumable those left over from last night if part of sequence had not fired. It was earlier around 10.30 although I would be surprised if anyone remained on the seat front as the official events end early evening. Well I never.

1754 Carmen , Vieux Jazzmen, Cat Balou and the Black Swan

Saturday did not begin well for me with a series of long bad dreams as I woke again early and seemed to be in a cycle of restlessness on return, the long dream and waking almost as soon as I had settled. In fact having gone to bed before 11pm it was a good sleep overall of eight hours but did not seem so at the time. It si the first occasion that I can recall a series of bad dreams whose subjects I have unintentionally suppressed which serves to underline that I should have made notes on waking as I cannot now work out the cause. There was also no indication on rising of the weather for the day although the forecast was of clouds, some sun and the possibility of heavy showers.

In the afternoon I put the smaller folding chair over my shoulder and made my way through North Marine to South Marine and new bandstand where the Vieux Carre Jazzmen were playing two sets between 2 and 4. The band named after a quarter of New Orleans was formed in the 1950’s and is based in Newcastle and North Tyneside playing regularly at the Corner House Hotel Newcastle and the Cullercoats Crescent club. I saw them last perform at the Mouth of the Tyne Festival last year Rock of Gibraltar area Jazz stage area. They play a British style of Traditional Jazz with an emphasis on individual solos within a number a la Christ Barber and Mick Mulligan rather than Ken Colyer and Cy Laurie. They are used to performing to people of all ages and situations although these days the audience tends to be my age than students. This was so as the 100 odd crowd spread out over the wide area of grass and concrete steps was of my generation. Some families did stop for a while but one granddad and day who topped were met with a constant when we going tot he park granddad, to which granddad saying we are in the park and will go to the beach in a while met with continued resistance.

The performance which comprised only four of the six listed players covered standards such as Alexander’s Rag Time Band, I can’t give you Anything but love, Baby and Georgia on my Mind. It was good solid professional music but lacked originality and passion. I stayed for the first set and decided to make my way back around 3. Earlier in the day there was the opening parade of the summer festival in which school children in costumes and marching bands went from eh Town Hall through the town centre along Ocean Road to the Bents park where an afternoon of activities was arranged for those who wished to participate. As Bents park is just across the road from the Bandstand, the loudspeaker announcements and music sometimes clashed and drowned out the Jazzman which was not good planning on the part of the local authority organisers.

During the day I watched chunks of two films. The Black Swan is a great piece of nonsense which I saw as a child, released in 1942 it was standard fare at either the mid week Odeon Wallington showings ire the Saturday morning club between 1945 and 1950 when I was a regular attender. It featured the pre and post war Heart throb Tyrone Power and the real man’s woman Maureen O’Hara. George Sanders and Anthony Quinn played miscreants of the upper and lower classes as usual. For some reason I remembered the film as the Black Pearl and got caught up with the information on the Pirates of Caribbean series until checking the Tyrone Power filmography. The film has its background the life of Henry Morgan the Welsh privateer who plundered Spanish ships in the Caribbean and who was knighted and made acting Governor of Jamaica and came under attack from the former Governor who had the support of the semi autonomous local Council. In the film power becomes the assistant to Morgan and sets out to prove that there is dirty work afoot to discredit his hero and who takes with him the she protests too much daughter of the rival governor.

On return from the Jazz in he Park I watched the main part of Cat Balou, a film I have not seen for several years although I have enjoyed more than once before. The film brought an academy award for Lee Marvin as an old drunk gunslinger hired by Jane Fonda to protect her father and his ranch from a development corporation who have hired another gun fighter to harass and eventually kill the obstinate owner. Jane who has been away to a convent school and trained as a teacher encounter two young petty criminals on the train home who she subsequently invites to help her thinking that they are gunfighters or at least will defend her is sadly mistaken although a romance develops with one of them.

When her father is killed Cat determines on revenge and robs a train carrying the payroll of the development company. . Lee Marvin then sobers up and kills the hitman murderer and Cat poses as a prostitute to gain the attention of the Development company boss who is killed in a struggle. Cat is caught and sentenced to by hung but escapes at the last moment. Among those also in the film are Nat King Cole as the Sunrise Kid and Stubby Kaye as Professor Sam the shade. There is also the appearance of Butch Cassidy!

In the evening I watched a remarkable passionate and moving performance of Carmen. The performance lasted three hours and excluded the intervals which meant it was the full original score and libretto and which I have known reduced to one and half hours. The German State Opera production was conducted by Daniel Barenboim and features to singers who for once looked and acted their parts with extraordinary levels of passion and sensitivity. Marina Domashenko was unknown to me but appears to have made her name through Carmen while Rolando Villazon was very convincing with a voice which is powerful and sensitive. The news that he has had to cancel some appearances this year earlier than anticipated prior to an operation is disturbing although both artists have recordings which provide posterity with the best of their work to-date. As with the Met Performance of Madam Butterfly I would pay real money if I had it attend performance of these two singers. I was in bed by 11pm once more.

1750 Bruce Springsteen at Glastonbury

The weekend and Monday has been dominated by the Boss at the Glastonbury. This is first time Bruce Springsteen has participated in the Festival and to mark the event the BBC is showing for 24 hours non stop an hour long special of part of his two hours and a half show which went to the close on 1 am on Sunday morning at the Pyramid Stage. It is just as well that the BBC has now given priority to showing this special because having waited and waited to witness something of the live performance Saturday evening only the last half an hour was shown because of priority given to the other act on the other stage. Bruce is nearly sixty and shows more energy and enthusiasm for live performance than many a third of his age. I only wish I could remember the lyrics and had the ability to carry tunes to join in in the way that the majority of the tens of thousands attending the concert.

I have been to three live concerts, at Newcastle Football stadium in the 1970’s, at Sheffield in the 1980’s and in 2003 at Crystal Palace. I have many of his records on LP album, music and video tape and CD

The best is the 40 box set of 5 albums of live show recordings 1975-1985.I no one no one who performs with such vigour and enthusiasm creating an extraordinary atmosphere of joy, delight and wonder. You are excited, moved and drained to the point of exhaustion long before he finishes although I must admit most the audience usually end the evening wanting more.

From his first album Greetings from Asbury Park which I have on tape I enjoy Blinded by the Light Spirit in the Night and It is hard to be a saint in the City with the latter on the live albums

From his second release The Wild, the Innocent and the E Street Band my favourite is Sandy, 4th July Asbury Park. Rosalita is also on the live records. I have the LP and a tape.

It is from next four albums that most of his established anthems were created. The third Born to Run includes Thunder Road and Born to Run (both on the Glastonbury BBC set) which together with Backstreets are on the album. I also like Meeting across the river and Jungleland.I have the record ans the tape.

I especially enjoy the River 2 LP set and on record and a tape with Independence Day, Two Hearts, Hungry Heart, Cadillac Ranch as well as The River on the live album and where Out in the Street was in the BBC set, I also like Sherry Darling and the Price you Pay.

I have the Nebraska Album on CD and Tape where Atlantic City is one of my favourites of all his songs, and with Reason to Believe is on the live albums. My Father’s House memorable.

I also have the Born in the USA Album which was his peak in terms of lasting hits with Cover me, I’m on Fire, No Surrender, Bobby Jean. Glory Days, Dancing in the Dark and My home town, all on he live albums.

I also have his next five albums some on CD which come after the live set and which I do feel match his earlier work. From The Luck Town Album I like If I should fall behind and Souls of the Departed. Again he does not play much from the Human Touch where my favourites are 57 Channels and nothing on, With Every Wish and Roll of the Dice From Tunnel of Love Album I enjoy When You’re alone, All that Heaven will allow and Walk Like a Man. From The Rising CD I like into the Fire, Lonesome Day, and Waiting on a Sunny Day together with the title song. I also have the CD Ghost Town of Tom Joad with My Best was never good enough and Galveston Bay and Youngstown.

Some of the later numbers are included in his unplugged album which includes Better Days and Darkness at the Edge of Town.

I have not acquired his more recent albums Devils and Dust, We Shall overcome the Seeger sessions, Magic and Working a dream but I was able to listen all of Seeger on the Springsteen site at one point.

Glastonbury of course is Glastonbury, the institution, festival of all festivals in Europe with four main stages and a several dozen others including circus acts, the Jazz stage, Dance with DJ’s for new groups, mild erotica groups, films, environmental and the weird and the wonderful.

I have not been a Lily Allen fan but I enjoyed her set as third end of bill on the Pyramid stage on the first night, but the night was stolen by the extraordinary Lady Gaga with the most outrageous costumes and sounded OK. I am not a Neil Young fan or of the Specials. I listened to Kasabian and Blur, Enjoyed Status Quo Rocking all over the world which opened I was there Live Aid and also the Madness set. Tom Jones was very wicked which sixty year olds can be. Tony Christy at Glastonbury, shows how the event has changed but everyone appeared to know the word of his recently revived number. I’m on my ay to Amarillo

Lady Gaga’s appearance was on the Other Stage on Friday Night appearing before the Tings Tings who three years ago were watched by under 100 people on the introduction stage and last year had several thousand because of the hit know my name or whatever it is called, She is a talented lass who can play instruments as well as shriek out numbers. There were several shriekers this year. I have the first Franz Ferdinand Album and enjoyed their set on Saturday, I must listen to Maximo Park on the I player. I also caught most of Jarvis Cocker on the John Peel Stage. However the great hit this year on this stage is Florence who has admitted the group did not have more to play after doing all their first album. She will be moved to the Pyramid next year such was the enthusiasm of the audience. I caught the Black Eyes Peas on the Jazz stage but not Rolf Harris!. They did not show Ray Davies or Georgie Fame from the Acoustics stage and I will need to check if they are on I player. Will Young and the Blockheads made one of the Dance stages. The big disappointment was the Basement Jacks of Jazz because of the loss of the loss the lead singer and where was Reverend and the Makers whose performance last year was great?

1226 Judy Collins and Folk Music

Last night I experienced a living Legend, the third this year and the first of a trio of folk singers who summoned up my generation. The other legends were Ritchie Havens and Don Mclean and the three original folk singers who came together in Greenwich Village, New York along with Arlo Guthrie and Peter Paul and Mary were of course Bob Dylan and Joan Byes. The legend is Los Angeles born but Colorado raised Judy Collins. I must confess that while I bought the my generation records of Joan Byez and Bob Dylan, I never took to the pure sound of Judy Collins in the same way although whoever I heard her sing on TV usually associated to a visit to the UK. This was a pity because as last night demonstrated, with the maturity that comes from loving and loss, especially the death of her only son, her voice now has an expressive richness and vulnerability which she accompanies with a highly professional, but spontaneous account of her experience which she also delivers with great humour .

It was bitterly cold last night, as I set off earlier than recent instances for live events, in the hope of getting to Smiths for the latest fantasy DVD. The local branch closed at five so I thought I get to Newcastle in time to park the car and go to the central branch as it was late shopping night, alas forgetting the traffic into the city, although it was the cold which led be to abandoning the idea and settling for an exceptionally large helping of exceptionally hot and exceptionally spicy vegetable soup, with a hot roll for an excellent value £2.50. After this I made my way to the music library and internet set run by the local authority Library service, read three magazines about jazz reflecting on how out of touch I was with contemporary artists appearing at various festivals and which proved a jog to listen more to the jazz the great 24 hour jazz digital station which is available through Sky or online, and then when a listening seat became available, by chance the selection included the latest Judy Collins album released earlier the year on the songs of Lennon and McCartney.

As I do on such occasions I review my records, in this instance of Folk music which had continued to be wide ranging and mostly international although I do have a 1950's 1960's era record The Industrial muse which includes the Durham Lockout and a dozen other Miner's tunes, which had been brought out of the cupboard, so to speak because yesterday I commence to write about the industrial heritage aspect of my summer walking, Rivera, ancient purchased bought for 10p from Woolworth along with three 10p or 20p records of Nina Simone is called Songs of the Revolution by a brought together group called the Tolpuddle Martyrs and was brought out in the era of 1960's protest to appeal to the likes of me although the records were sold in the late 1970's early 1980's when vinyl started to go out of fashion, and tapes were the in thing. One of my earliest folk records was the Alan Lomax Blues in he Mississippi night. It was several de I acquire a three volume anthology of African Tribal Music and Dances and a similar volume of Traditional Songs and Dances of Greece although it was in Greece that I bought my first Album by Dora Stratou. I only have vinyl of Farewell Angelina by Joan Byez, Dylan's The Times they are a Changing and Leonard Cohen's songs. Leonard Cohen was discovered and brought to public attention by Judy Collins and last night she sang his Suzanne, My search for Folk tapes revealed a forgotten double recording of Don Mclean live at the Dominion at one end of Tottenham Court Road across the way from the Tube station which was a place which I have regular used over the year as a meeting point for 100 Oxford Street, the former 2is coffee bar in Soho Square, Foyle's and Collets bookshops, and I nearly became a trainee buyer at Heals, the Furniture Store in 19597, when the offer of a job was received in the post after interview and then withdrawn, at a time when I was interviewed as a management trainee in factory making plastic and selling up market cigarette machines in pubs and clubs, interviewed in a bar by a couple of Sloane Rangers. I also have Joan Byes Speaking of Dreams and Recently, the Magic Album and two compilations, one from 1977. The Dylan's is a great compilation of some 45 songs which I also now have on CD. I also have bought CD's of Buffy St Marie, the indigenous American born on the Piapot Cree Reserve in the Qu' Appelle valley. More on this remarkable song writer, singer and educator another time.

Back to the concert where I had a second row seat immediately opposite Judy when she played the piano and sang some of her own compositions at the commencement of the second half. It is perhaps an indication that she has failed to command the longevity of public acclaim of Dylan and Byez as Dylan still plays to Arena's with several thousand seats, I could not get a ticket for Byez in the 1500 seat Hall 1 at the Sage earlier in the year but Judy was consigned to the second 500 seater hall although there was standing customers around the balconies.

The continuing influence of her father was apparent throughout the concert in the way that she spoke of him and his life and it was also evident that she still has positive feelings for Stephen Stills of Crosby Stills and Nash who she mentioned she recently had dinner with, and his life and her grand daughter. However she did not touch on other painful periods of her life but tested audience reaction with references to some of her radical activities mentioned the late sixties anti Vietnam Grosvenor Square demo and her current preoccupation reference to Bring the boys back home brought no audience response. One explanation for the loss of standing in the business that following the suicide of son aged 33 on 1992 she had along period of depression and substance abuse and it was not until 2002 that she was able to talk about the process of recovery in Sanity and Grace (Truth, therapy, Trust, Try, Treat Treasure and Thrive). So last night for me became more than a concert in which to relive past events but it was quickly event that this was a woman who had confronted the truth and overcome the guilt, accepted the need for counselling and the to express emotions, together with the need to for self discipline to avoid or limit the need for drugs of all kinds, including overeating as a means of dealing with loss and pain, the need to take care and control of the body through exercise and meditation, the keeping alive of memories through writing and keeping a journal and being positive, hopeful, open to love and to others and that it is possible to rebuild a life. However as is always the case when one who has been there, or is there encounters another, you recognise the fragility and the precariousness.

1220 U2 at the Customs House South Shields and the Waterbabies

When I woke on Friday November 15th I had no reason to suppose that that would become a special day, the kind that you cannot plan and if you are lucky they will happen when you least expect. I could see that the sun was shining but when I went outside, I was surprised to find that it was pleasantly warm and I did not need to button my coat. I nevertheless took the car as I needed to go to the west side of the city of Sunderland to the Staples office store for some punched pockets. Parking the car at Asda I walked to Smith's for the Daily Mail DVD, the Water Baby's Charles Kingsley tale to bring to public attention the plight of chimney sweeps and other poor and orphaned children forced into labour. I then continued to the Market place already busy with most stall holders fully operational and into Wilkinson's mainly for some glitter glue, and could I find it eventually calling upon an assistant which led to finding that the containers its packaging had been redesigned and the price also reduced, half the cost of those available at Staples. While in the store I bought toothpaste, disposable razors, washing up sponges and some Christmas goodies for me and for presents. I had my haversack but also needed a plastic carrier. At Asda I bought fruit, fresh vegetables, prawns in shell, bread rolls with tops baked with cheese, 12 for £1 and a treat mince pies in puff pastry. It was 12 .30 before returning from Staple's and time for lunch, but this was delayed while I excitedly opened the post because there was not one but two envelopes with a postmark from Scotland which I knew meant possibly two winning sums in the latest Premium Bond Draw, it was nothing spectacular (and which I would not have mentioned it had been) but a welcome one of £50 and the second of £100.

After lunch, Cimbatta rolls with salad and a little Italian Salami, I then remembered it was someone's birthday, and then discovered it has passed, so to make amends I packaged a gift and went off to the post office, deciding to also pay in the two cheques. It had been so pleasant earlier that I walked and I had only proceeded half way down the hill when I encountered a white van, bigger than a transit, with U2 UK on the side facing and a man with a clip board coming over to seeking guidance about the location of Oceans Road, (confusing with the film Oceans Eleven I am guessing) as the address of the small hotel/guesthouse was Ocean Road. Parallel to where we were, and could be viewed down the next road leading down although, the next had to be taken as the first was blocked at the end. The man was disappointed with his Tom Tom but I explained that he might have a super intelligent navigational aide, admitted unlikely, because he was unlikely to find a parking space in Ocean Road itself and would have to park in one of the side streets. Before sending the vehicle on its way I checked that this was a tribute band but it was only as I reached the bottom of the hill that I kicked myself for not asking where they were playing.
It was a very pleasant afternoon with use being made of the outside tables and the seats in the main shopping area. Two middle age women were enjoying a drink, one a glass of white wine, outside the Chase bar, next to the new Beach Bar and it felt good to be alive, commenting about the weather and my premium bond success with the bank cashier and that I also seen two young women dressed as kittens and several others, older school girls in pyjamas. It is Children in need appeal night.

I then thought, 'Why not?' which can be unwise at my age. There is Freedom from and Freedom to. Why not continue the walk down to the Customs House Theatre, restaurant bar cinema and art gallery to see if my hunch was correct that U2 UK were appearing this weekend.

It was a glorious walk to the riverside with the a blinding full sun casting its rays by the next North sea ferry already loading vehicles although its sailing was over an hour away. All the refurbishments and changes at the Custom's House complex have not been completed with the connecting first level walkway to the offices and other facilities in the adjacent building. I can never walk this way now without remember that on my mother's 100th birthday the white stretched limo stopped here while she and the visitors looked at the view and an a care assistant explained about the demolished La Strada which is now an amusing art work

U2 Uk was performing at 7.30 so I bought a ticket for £11.30 concession and booking fee and returned home with a spring in step although a little apprehensive because the poster boasted, the best Tribute band in the UK Loud, Live and in Your Face. What had I done? On my way up the hill the primary school children were going home all dressed in pyjamas and dressing gowns and a neighbour confirmed that it was in aid of the BBC Children in Need programme which raises tens of millions of pounds each year with thousands sponsored events of this nature.

I felt tired so I had a little sleep and watched the Water Babies before a quick evening meal, a glass of red wine, a few olives and a ready made dish of pieces of sausages in pasta. I only had a vague memory of the Water babies story. I knew it was about a boy chimney sweep, but I could not remember anything about the part played by the water babies except that it was sad and that I had believed in such fairy stories for many years and have never recovered since learning that Never Never land was the figment of the human imagination.

The 1978 DVD film is a top notch production with James Mason as Grimes and Bernard Cribbins as his accomplice. An aging David Tomlinson plays the Squire Justice and Billy Whitelaw a multitude of roles, Joan Greenwood the wife of the justice and among the voices in animated sequence are David Jason, Lance Percival and Jon Pertwee. I thought the chase sequence was overlong and there was one brief part of the underwater sequence which some young children might find a little frightening but overall it will be enjoyed by children of all ages although most will not know what a chimney sweep is although I inherited a set of brushes and extension rods with this property.

I am very impressed with the refurbishment of the former customs house which has more comfortable seating than that at, well I cannot think of anywhere with better seating and as was quickly evident it can cope with the full lighting, smoke, visuals and sound requirements of the Tribute Band.

I was at the 1986 Live Aid appearance of U2 which made them Internationally famous and one of the best known and loved bands in the world to this day. Before the concert I already had , October, 1981 with Stranger in a Strange Land, I Fall down, With a Shout; War 1983 with Sunday Bloody Sunday, New Years Day Two hearts beat as one and Surrender, and also in 1983 Under a Blood Red Sky, with I will follow and New Years day and The Unforgettable Fire with Pride, Bad and 4th of July, and after the concert appearance. I also acquired The Joshua Tree 1987 with Where the Streets have no name, I still haven't found what I am looking for, which used to be personal anthem, With or without you, Running to stand still and In God's Country and Zooropa 1993 with, Some days are better than others, and The first time. I had not played the records for a number of years until last year in September I watched a DVD of The Elevation tour Concert at Boston so before this evening I knew the songs and knew something of Bono the performer, although at Live Aid there was only time for two numbers.

It was only after the show that I realised I had seen the lead Paul Collyer, in Stars in Your Eyes. The amazing thing is that the two other members of the band, Simon (Edge) and Ady (Adam) had placed an advertisement to find someone to play Bono 12 months before Paul did so and in the same local paper. Some things are Kismet although I am more inclined to the Peter O'Toole. In Lawrence of Arabia, Nothing is written unless you write it, to which must be add be ready for all the consequences.

My seat was at the end of row E the first of the banking and the first comment is one of shock in that when they said loud, they meant LOUD to the point of nearly being unbearable. One local wag behind me appealed, turn it up, I can't hear, after the first blasting. I understood why the ticket sales assistant had given me the kind of look which said, "Are you sure you wanna do this? Until now I used to think that Elki Brooke at Newcastle City Hall was loud, and the best way to describe the sound is that 50 years ago I experienced for the first time a traditional jazz band in the confines of a small windowless basement. This was the same sound amplified and literally in your face as I sat within feet of one of the banks of amplifiers. The greater part of a row of young people in front of me disappeared to other parts of the auditorium after the interval.

This was physical music, your whole being throbs with it and is summed up with the song about losing control its rock and roll.. My second comment that the band also kept its word about providing a multi media show recreating some of the arena stages effects of U2 tours but when this is achieved in an auditorium seating only 400 including the circle, the effect is more spectacular. However put to one side the volume and the stage effects and you are left with a lead singer and three other musicians. How did they do?

I have experienced live music for 50 years with no one until now competing with Bruce Springsteen, and although his concerts are Marathons he paced himself as he got older with seeing him in Newcastle in the late seventies, Sheffield in the 80.' and Crystal Palace in the 90's. I thought Paul Collyer was brilliant on a level with the greatest of actors who make you believe they are the part they are playing, moreover he rarely takes breath and gives a performance of passionate intensity, supported by three men who if you met them in the street you would not immediately think great rock star musicians, but great they are individually and collectively, and the poster which includes the comment, the UK's greatest tribute band, may not be an exaggeration. I have only experienced a handful of tribute band/ performers before with the Roy Orbison outstanding and memorable, and Dusty Springfield a close second, so I am not in a position to make a judgement.

Tonight the audience remained seated during the first half and had to be coaxed into singing and clapping in time which suited me as the six hours of the Concert for Diana in the summer had found me feeling my age in the second half and welcoming each sitting down film clip. However the prolonged value for money encore, had almost everyone standing and stomping and yelling their heads off. I knew it was going to be a good night when one the young ladies entering my row stumbled and fell into my arms, but that second half and finale of U2 UK was something else. One nice touch is that half the price of seats bought on the day was donated to Children in Need and a Children in Need Teddy bear was auctioned and went for £50. Another is that the band came out to the foyer and said hullo to anyone and everyone who cared to say hullo to them.

Well they must be something critical? Well only a little moan that the official internet site says they were playing tonight in Newcastle. Now if I had decided not to go out this afternoon or left earlier or later by only a matter of seconds or chosen a different route , I would have stayed home and watched the Children in Need Appeal. For once I have to say that something was written for me. More Please.

Talking of auctions, and the dangers of being caught up in the Euphoria of an event there was another memorable Timothy Small performance on Thursday night on BBC 1, playing a cab driver who meets a school friend who has married his school days first lover and gets invited to a charity do which they are attending, where in order to impress the former girlfriend he bids £1400 for a set of autographed snooker balls, money he does not have, goes to work still under the influence and is fined and has his licence taken away and has his cab wrecked by a customer although all this is put into perspective when his wife is suspected of having cancer, but which fortunately is diagnosed as a treatable cyst. Timothy will be the first to admit that his image is not that of a romantic lover or a Don Juan but his performance was more than credible as was that of his wife who could accept anything that had her husband had done if he was able to show he cared for her in a way which she could believe. However I would love to know what a set of autographed snooker balls of all the greats would really fetch at auction. Today we are in the hands of the Israeli's who need to get at least a draw at home to the Russians for us to qualify for the finals of the European cup, and for the Manager to keep his job. Scotland need to beat Italy to get through and both matches are on the telly, although one clashes with the X Factor final. This reminds of the comment heard on the first of my walks about town on Friday, "Howay man, he's always watching that bloody football."

1193 and Mozart

After this combination of mass slaughter and spectacular bravery and self sacrifice I was in the mood for Mozart, and for Mozart live at the Sage. I have waxed enthusiastically before at these buildings within a glass shell on the Gateshead bank of the Tyne with the famous Newcastle Road Bridge to the left and the new Millennium pedestrian and cycle Bridge to the Right where is also located the Baltic Contemporary Art centre, across the an elegant hotel and the Law concerts and an area of night life for adults, the Biggs market is for kids. The outer structure is not beautiful or as iconic the gherkin in the city, although designed by the same architectural firm, but inside it beats anything anywhere especially the Royal festival Hall concert building. First there is the sense of space with outside concourse acting as a veranda deck on which to one side it is possible to hold outdoor concerts and inside the vastness has the cultural impact of any cathedral, except it appear taller and longer and wider. At ground floor you do not immediate gain an impression of height of the concert halls. At the Baltic side entrance and the most popular with its access from the car parks there is the public music centre and library where you can or read anything about music, make enquires or use the banks of internet stations. There and large modern toilets as part of the lower structure of the concert halls, modern type of booking and information centres, and cloakroom.

Between the two halls there is an expensive bar and snack meal facility where although my plain and excellent coffee only cost £1.30 a cup of the more frothy kind and a small glass of wine cost the man before me £5.10. To one side there us an open plan restaurant, expensive but on in the same league as haute and nouvelle restaurant in sky at the Baltic. Unless you wish lose weight or are energetic it is wise to use the vast lifts to gain entry into the first level of the concert halls. That to the upper level of the main Hall appears to be the highest and steepest single stretch stairway have ever seen, but the central stairways are more conventional in stages and here there is also the inside veranda with its bar, and discrete coffee and ice cream. At this level between the two main halls there is a rehearsal, experimental music hall where earlier in the day, there had been a symposium on obstetric anaesthetics.

You still do not get any idea of the nature of Hall two from the entrance, or I made way my way for the second occasion to the second of three seating level designed like the Globe Shakespearean theatre and by coincidence or did I select from a plan got the same seat as before overlooking the stage from the side and with the first seat of the front row. The lighting was a softer red tonight not the glowing red for the Ritchie Havens concert. There first surprise is the depth of hall below, as those entering at the main level go down into the main auditorium which also as two separated levels above its floor. However it is when you look up that the WOW factor hits you because above the third level balcony the space between them and the lighting balcony is about the same as the three levels below and the ceiling soars for some distance above the lighting level. The hall is cylindrical with the stage at one end and only allowing for a single row of seats, with one row of standing overlooking. There are two rows of seat is around the rest of the higher levels with standing option and although the hall is cylindrical the layout of the seating suggest twelve angled sides with those at the side appearing longer than those at the ends. My only criticism is that unamplified voice and sound does not carry well to the heights as it does across the auditorium. My created image is a false one because I have failed to mention that the total seats are around 400 with the consequence of a great intimacy especially for those sitting at the front stalls on the same level and a couple of feet away from the musicians.

And so to the music, A Mozart Flute quartet, a clarinet quintet and a quintet for Piano and winds performed by members of the Northern Sinfonia Chamber Concert. A little irritation is that there was no advance publicity on which pieces were to be played nor was a programme available. However I recognised the Flute quartet in D Major 285 as I have a vinyl recording going back to when I was a very young man, and was able to confirm the numbering from the internet as the first reference was to a recording by Laurel Zucker where both this quartet and those in A and C major can be heard 40 mins of music for free, amazing and to be listened again in full tomorrow. I have the Clarinet concerto although the quintet sounded very similar and this was confirmed when I looked up the played piece and heard and read the notes. Both pieces are written for the bassest clarinet which is about a third longer that the usual because of having four additional. In both pieces the work is distributed amongst the players with the clarinet and the flute primus inter pares. These contrasted from the piano and winds quintet which is ensemble. I did not know the Piano and Wind quintet and had difficulty in getting a free online recording until a You Tube excerpt so picture plus the sound. For this performance and the clarinet I had a direct view of the soloist but for the flute I had to strain as the musician was under my direct view so I relaxed closed my eyes and listened intently. As has been commented about Mozart he is never short of notes which reflects his portrayed (Amadeus) excitable hyperactive nature, which is also reflected in his prolific productivity.

I quickly forgot the potential parking problem as the car park was full on arrival and I risked one of the unused places designated for the disabled. I need not have worried as on exiting they were all occupied by owners who were not displaying certificates and every other conceivable area was also occupied including some on precarious slops. On return I took of the suit suitable for the event and comfortable but I must get another for everyday use leaving for the unexpected special, but like having a crazily organised disorder of a home but a front room to admit visitors who of course never come and I would be put out if they did unexpectedly because of the layer of dust. I was pleasantly relaxed but hungry and resisted the temptation for a bacon roll settling for one with cheese. I was in a better state, almost pleased with my being except that I could not answer the question, what have to done for other's today that will be valued by them?

1189 Don McClean Starry Starry Night and Vincent

By carefully selecting the artists I pay to see, I am rarely disappointed, To-night was a major investment paying £30 to make the journey to Newcastle and sit in an overheated uncomfortable hall with poor acoustics and if you sit close to one side you can hear traffic in the quiet moments. The Civic Hall in Newcastle is best experienced listening to singers or groups with loud bands where you can stand up to avoid cramp or antagonising neighbours in the rest of the row because you want to tap feet and generally get with it. There is an upper tier called the balcony with about 300-400 seats facing the stage and 200 at each side. Here you sit facing the other side and have to hold your body and head angled to view the stage. There is around 2000 seats in all.

My last visit was over five years ago for memorable night with local lad Bryan Ferry and where the televised version of the show is replayed from time to time. Another great night was with Phil Collins who brought a full band and where a programme about Genesis is also being replayed on the new to me Sat channel Mainstreet. One of the few singers watched twice there is Elkie Brooks, who upped the sound volume of her band several dimensions above everyone else.

The ticket promised doors open at 8pm which is a giveaway that the main act could be expected around nine. I had messed up most of my day before arriving early enough to enjoy half a pint of Fosters and a bag of crisp. Some Kentucky type fried chicken and the rest of Monday's tined potatoes and runner beans for a mid morning brunch, a salami sandwich for afternoon tea so I needed the crisps to keep me going before a midnight consumption of a salmon salad prepared for eating before the show, put left as I did not feel like it at the time.

Staying up to 4 am did not help of course with the planned early start to out and sort out my mother's bank account and pay the Funeral Bill, and decided on a new gas cooker. The first task on rising slowly about 10.30 am was to find out how to change my credit card pin number to a common one for all such cards, from the replacement card which had arrived in the post and was immediately activated. I failed to log on and then discovered that although I was on Broadband I could not dial out. The mobile was used first to try and connect with faults but after being told I had to wait on line for at least six mins I took the advice I tried the online system. I explained that all three extensions offered clicking, replace the handset and try again advice, or nothing and the mobile check came up busy. The on line check came up clear and eventually I was telephone and advised to use a couple of phones with the test socket in the master box, which for some extraordinary reason had been fitted at the top of the window and required a step ladder to reach. However this worked but the credit card line was busy and unusually there was no wait for a customer service adviser standby option so this meant I was unsure I would be able to use the card to pay the funeral bill, and by the time all this was done it was lunch time and I needed a siesta after having the cooked meal at midday. So I watched some college football, completed 47 level one games of computer chess before I failed to prevent a draw and had to start all over again. Yesterday I forgot to mention that England won the third and therefore series game against Sri Lanka and Ian Botham was shown receiving his knighthood from the Queen. I remember the day when it rained at Kent, and I sat without realising next his wife in the members stand and he came over to join her when rain held up the game for the greater part of the day, and he then went out a spent an hour signing autographs and talking with any and everyone who queued for his attention. There is nothing Prima Donnaish Sir Ian who regularly walks from Land's End to John O'Groats raising money and awareness for the condition of leukaemia. There are a few who have that aura of greatness about them and who have delivered.

This long preamble is to another of those occasions. At eight the hall was no more than half full and we were pleasant entertained by a young female ballad singer song writer who plugged her album which she offered to autograph if you wished to buy. It was between quarter and ten to nine before a podgy Don McLean came on the stage supported by two guitarists, a mountain man drummer and an a pianist keyboard musician who sometimes played both at the same time.

Don is six years younger than me and most of the audience was for once of our generation, or had grown up with his music, but I did spot one young family which two young children and a few young people, someone with their parents and possibly grand parents. The most boisterous standing up at the side and singing all the songs when invited were in their forties and fifties. While is performance of Crying was not as moving as Orbison, no one can, his version was powerful and demonstrated to hold long notes and phrases without taking a breath, developed in his childhood as a means of combating asthma which kept him off school and listening to music of all kinds. The loss of his father at the age of 15 also had a strong influence on his feelings about life.

His ability to think and write creatively was demonstrated on the night when he could not resist commenting about the railings which surround and spoil the look of the balcony asking if we had a lot of jumpers or was this the British attempt at improving Homeland security. I warmed even more when he asked why all the wars were always fought by young people, barely children. I was tempted to ask if he had read my blog!
While he wrote and played songs from an early age, this was always a sideline as a young man, graduating in 1968 in business administration, but then deciding against a masters scholarship at Columbia when offered a full time engagement.

In 1969 he became more widely known for the love song And I love you so…the book of life, and once the page is read, all but love is dead,,, and hen of course the song of song and which tonight he provided a version which went on and on, using different tempos, singing softly and then rousing many to their feet. Of course you know what I mean, American Pie one of the all time great American Songs along with White Christmas. Is there anyone on the planet who does not have an image of the chevy on the levee. One of the twenty or so verses, I think there are more which sums up the feelings of a young mid Atlantic age goes

And in the street the children screamed

The lovers cried and the poets dreamed

But not a word was spoken

And the church bells were broken
And the three men I admire most

The Father, the son and the Holy Ghost

They caught the last train for the coast

The day the music died in capsulated that rare quality of writing about an event, the death of Buddy Holly, Ritchie Vallens and the Big Bopper, but which expresses feelings which we all have had, in my case the loss of Catholic faith, when the world was never the same afterwards as it had been before.

He finished American Pie and went off to tortuous applause but we all knew this was not the end but I was prepared not hear Vincent, although when he returned the man behind me shouted out Starry Starry Night and this was taken up by three or four others so I could not resist joining in. He then picked up a long arm banjo and one of the guitarists put on straps to play his instrument horizontal so we got a trio of country and western sounds, as we had earlier in the evening bringing images of camp fires with Deep in the Heart of Texas or of western mavericks with the true account of the Billy the Kid, but the he did not let or anyone down with Vincent, Starry Starry night, paint your palette blue and grey, look out on a summer's day with eyes that know the darkness in my soul…they did not listen, they did not know, perhaps they'll listen now……with eyes that watch the world and can't forget, they would not listen they're not listening still, is for me a great hymn to all unrecognised artists of all forms in their own time. Another favourite Castle in the Air, I've got a dream I ant the world to share and castle walls just lead me to despair, is about unrequited love.

Don has toured the world for nearly four decades with half a million New Yorkers listening to their favourites in central park ten years ago so he could be forgiven for doing a professional job for and hour and a half or so for the 1000 or so of us tonight. One quickly forgot his podginess, well look whose talking and all the earlier trivialities of the day and was swept up with image after image of central America, albeit a predominantly white outlook America of mountain men, and prairies cowhands, and college kids of the kind whooping it up at the college game before they went off to war and shed their blood and after just under one hour and three quarters the whole audience rose, not for one more song, but just a heart felt thank for our youth remembered and a memorable evening about which look after I am gone those two children will hopefully be telling their grand kids about their starry starry night.