I have had no cause in my life to visit the London Borough of Hackney or its famous Hackney Marshes, and Leyton Orient Football club is only one of two London club Charlton Athletic at the Valley, the other, which I have not visited. The ones that I have are Crystal Palace, the Old Millwall Den Stadium, the former Wimbledon stadium, Queens Park Rangers, Tottenham Hotspurs, and the former Arsenal Stadium together with Chelsea and Fulham, although it is a decade since visiting any of them. I visited the Old Wembley for three Cup Finals, two or three Internationals, two Rock concerts, including the first Live Aid and once for a weekend competition. I have visited the new Wembley for the Diana concert and will be visiting this August for an Olympic Football match.
I mention the London Borough of Hackney (where one its Members of Parliament is Diane Abbott a regular sofa sitting on the late night Political Programme This Week), because the latest of The BBC Radio 1 free but ticketed rock and pop concerts was held there this past weekend in direct competition to the Isle of Wight Festival covered by the Sky Arts Channel and Sky 3D over three evenings at the same time.
Because of the availability of 3D and the advertised appearance of Bruce Springsteen on the Sunday evening I opted to watch the Isle of Wight event and have only caught up with the BBC event since then. The reason why I have been able to do this is that unlike the Sky Channels the BBC not only provided red button coverage of the music in addition to the main magazine style live coverage with videos and some live performances, but now has hours of full performance on line, at least for the remaining part of the subsequent seven days.
I have been an admirer of the BBC event in the past which in my view ranks along with their coverage of Glastonbury where the concert and the BBC coverage has attracted world wide fame and standing, I must confess that it is rare for me to listen to BBC radio 1 these days or to view the various pop and rock Music channels on Sky and with the departure of Top of the Pops I only keep in touch with what is happening in the music and pop scene now and again with the Festivals from the comfort of my armchair.
I would like to have been a Festival goer and have been tempted when younger but now the idea of sleeping under canvass or standing for hours; often in the inclement British weather has less appeal. The scale of music festivals is extraordinary and if I was to start going then it those which provide traditional jazz and swing music, usually in a hotel where one can sit and enjoy, would top of my list. I did have one glorious weekend in my youth when I went to the Cy Laurie Club on the Saturday night followed by the all nighter at the Skiffle Club where those appearing including Lonnie Donegan, and then after a wash, made my way to the Thames embankment for a day long River Boat Shuffle to Margate and back where the hit was Sandy Brown playing an extended version of the When the Saints go Marching In which continued for at least twenty minutes if not longer as the boat had difficulties tying up on return and which blew the minds of Sonny McGhee and Howard Terry the American Blues singers who had also made the trip. I then went to what was Humph’s club at 100 Oxford Street which is still in existence to this day as the 100.
I did plan to go to the Whitely Bay Jazz Festival which for several years was the only one to concentrate on traditional jazz and swing from the 20’s through to 50’s and sixties, only to find that it had been held the weekend before and which incidentally takes place at a hotel in greater Newcastle and not the Bay or even North Tyneside, and now occurs in October and is already sold out. In the past there were whole jazz and swing bands from across Europe who also played sets at the Mouth of Tyne Festival on a stage next to the Rock of Gibraltar Pub at Tynemouth. This year there is jazz by the Rock but only from the UK on the second weekend of July. The Whitely Bay event will feature about 30 musicians who specialise in playing trad jazz and swing from the 20’s and 30’s. I met someone at Tynemouth who is a regular for the Glasgow event which covers a week beginning to day where the cost of attending all the pay events comes to over £300 plus hotel accommodation. The problem with the Glasgow events as with many other is that in order to attract an audience there is a wide range off jazz usually provided and which if good is good but can also prove unenjoyable or boring. Looking at some of the annual events available the one which did attract me was Scarborough where one of the sons of Take Five Dave Brubeck is performing with his quartet in September.
For the general music lover there are hundreds of festivals events each year with over 30 in the classical music and choral with the Proms the most well known over eight weeks with Aldeburgh, Chichester, Edinburgh, Glynebourne, and the York Early Music Festival the most well known. Bestival is the most prominent for Dance and Electronic Music along with the entire genre Glastonbury among also among 30 others. Cambridge and Edinburgh are known for their Folk music festivals among forty others. The Party in the Park and T4 on the Beach headline concerts devoted to contemporary popular music with the Isle of White, Knebworth and T in the Park for Rock and the list of all forms music has well over 100 from the well known to the most obscure e.g. Sheep Music and The Midge Death Free Festival. Not on one list was the important annual Leeds and Reading Festival which takes places in both cities/towns over the same weekend.
The Radio 1 event has now had three transformations with the biggest this past weekend when it changed from to the Hackney Weekend to celebrate the Olympics 2012 Cultural Programme which has now been published in a 100 page plus brochure of free and other events to be included over the coming months, The former Big Weekend Festival has increased the number of stages from four to six and doubled the number of free tickets made available. Because the concert is not residential it originally assumed that the majority of those attending would be local but this did not take into account its growing popularity so that the queue to get ticket policy resulted in an estimated half the tickets allocated on a two per applicant basis going to those from outside the immediate area. Now there is a ballot with 95% going to the area where the weekend is held. In order to combat the free tickets being offered on E Bay a passport photo has to go with application to so that there is a ticket and applicant match up on the day. So far the weekend has been held in Manchester and Cardiff 2003, Londonderry 2004, Birmingham, 2004, Sunderland 2005, Dundee 2006, Preston 2007, Maidstone 2008, Swindon 2009, Bangor 2010 and Carlisle 2011.
The artists appearing tend to be very current rather than from the past fifty years and therefore the weekend as does Radio 1 generally appeals to the youth of today and provides an important platform for new music and new singers. The post popular return appearing on other stages to the main one before moving to the point of being the headline events. Last year as well as this, for example Plan B and Professor Green, Jessie J, Dizzee Rascal. the Rizzie Kicks, Vaccines, Tinie Tempain appeared again and unlike other festivals notably the Isle of Wight, Artists, however big they have become are prepared for their full performances to be available on the Red button at the time and online for the next week over 75 in total. This is also a feature of BBC Glastonbury.
In 2011 the headliners were Lady Gaga the Black Eyed Peas and the Foo Fighters. 2010 Florence and the Machine, Dizzee Rascal, Justin Bieber and Scouting for Girls, Cheryl Cole and Alicia Keys, Rihanna and Pixie Lott, In 2009 Snow Patrol, Kasabian. Dizzee Rascal, Lily Allen, Scouting for Girls, Maximo Park, Gossip, Enter Shakiri and Lady Hawke. In 2008 there was Madonna, Usher, Fatboy Slim, Editors, Duffy, and Scouting for Girls, The Kooks, the Raconteurs and the Wombats.
2007 saw the Scissor Sisters, Razorlight, Kasabian, the Frantellis, Natasha Bedingfield, Kaiser Chiefs, Rihanna, Bloc Party, Dizzy Rascal and Gossip. In 2006 it was Paolo Nutrini, Corinne Bailey Rae, Razorlight, Snow Patrol, Pink, The Feeling, Feeder, The Editors, Keane and Franz Ferdinand. 2005 the Foo Fighters, Kasabian, Natalie Imbruglia, Chemical Brothers KT Tunstall, Basement Jaxx, Kaiser Chiefs, The Black Eyes Peas, Maximo Park and Jamiroquai.
I mention only those I knew in advance with some only from having watched them at Glastonbury or other festivals before on the TV. This past weekend the star turn divided between three young women, the first Rihanna who brought along her full troupe ensemble of singers and dancers and whose hour set performance is available in full for the next few days. She wore an extraordinary sexy outfit and had command of everyone’s attention throughout. The second was local girl made good through the X Factor, Leona Lewis and who I have seen live as part of the X Factor Tour which caused my membership of My Space when I saw that she had a site. She opened her half hour set 25 minute set with Tell the World I am coming home. She included her Chart Single success Bleeding Love and another of her successes accompanied by a local choir. She was evidently thrilled at the opportunity to sing in the town where she was raised. It is debateable if the third female would describe herself as young anymore and it was the BBC who brought Florence and the Machine to UK attention back in 2008. Florence another local girl from South London came home for the concert from her two year round the world tour! She provided a 40 minute set with her tour group on the Sunday after originally being advertised for the Saturday. You Got The Love was one of her chart topers performed before she has said finding somewhere in East London to get drunk.
Two of the previous participants joined forces to provide another memorable hour long concert available on line Plan B with Professor Green both I would describe under the broad church of white rappers and for once what they had to say could be understood and was appreciated. I listened to the set twice.
I also had a good listen and look at Ed Sherran, the young man who was given a spot at the Diamond Jubilee Concert and who has entered into the spirit of the Festival type performance by getting mass audience participation in his 45 minute set. He had the type of voice, Leona Lewis is another, that should be listened to rather than become part of a collective singalong, jump up and down and hand gesturing which tends to be the most sophisticated participation today’s concerts goes are capable, unlike the intricate and watchable traditional jazz dancing of two people who danced together on a regular basis.
As Mick Jagger explained in the Black and White Film on the day the Stones gave their extraordinary free concert in Hyde Park in 1969 and the Hells Angels provided security, if you want to listen to music you buy the record and put on the Hi Fi. Whereas in the past people went to concerts to be entertained in a passive way, the Stones Concert, as the Isle of Wight and Glastonbury signalled you went to participate. Originally people also went to get drunk, take drugs, exposure flesh and participate in casual sex. I am not pretending these aspects are not part of festivals as they are part of most social events involving young people today, but the emphasis today is being part of the event, singing along as well hand gesturing and jumping up and down.
I also watched something of all the 20 artists and their bands who appeared on the Introduction Stage noting that some attracted only what appeared to be fifty to a hundred people but the one which I thought the best and seemed to have drawn the largest crowd was the Skints with a West Indian beat and female lead singer who was very very good and also played several musical instruments. They have been worth listening to again and as consequence of doing this I heard they are having a headline tour later in the year.
I also enjoyed the UD Vocal Collective, a local choir of some 20 voices who were in a good grove. (Kershon Bailey, Stevie Neale, Savages, Joe Black, Arthur Beatrice (I liked the voice of Beatrice?) Driving Lolita (was anything but) Lala K.... Kickers, Sehzar, Lecke Brugge, My Panda Shall Fly, Random Impulse, Issac Dayguach, Paigey Cakey, and Lil Sims In Search of are some of the names from my scribbled notes to see if they make it. I thought most would remain playing to family and friends and local support in pubs and clubs around heir neighbourhood although the musicianship was often a good to high standard, but they just did not have that factor which is likely to get them a chart toping success or International fame and Festival headlining. I hope for their sakes, given the effort that had obviously gone in I am proved wrong.
The weekend was held on the former Hackney Marshes which is part of the Lee Valley Park with adjacent land forming part of the New Olympic Park with the view of sculpture work visible as the skyscrapers of the City and Canary Wharf. As at the Isle of White in addition to the stages including the Circus Tent style all weather stage there were Fair ground attraction including the 37 metre swing arm thrill ride all lit up witch I noted at Brighton for £5 for 11 revolutions to the one minute. There was also the usual range of food outlets, merchandising toilets, lost property and lost people provision with security and all round event enclosure. It appeared an all round positive atmosphere with plenty of too for everyone, all 50000 invited for each of the two days
This all contrasted with my disappointment at the Arts Channel and 3D Channel presentation of the Isle of Wight three day festival. It was first held over three years in the last sixties. It commenced in 1968 as a small affair, comparative speaking with 10000 participants, Jefferson Airplane, Arthur Brown. Tyrannosaurus Rex, Pretty Things and the Move.
The event explored in every sense in 1969 because of his appearance of Bob Dylan after recovering from his motor accident. 300000 of the hippy generation descended on the Island over the summer and some are said to have never returned home. Dylan was supported by Ritchie Havens (seen Live at the sage Newcastle, Joe Cocker, the Who, The Moody Blues, The Nice, Pretty Things, Pentangle, Julie Felix, Free Marsha Hunt and the White Trash and the Bonze Dog Doo Dah Band
Given that the Island population was then well under 150000 it is not difficult to imagine the effect on a local population where the aristocratic sport of Yachting with the Royal Cowes Week is most notable event other than being the former holiday home of Queen Victoria, a holiday resort, and then retirement centre for the middle class and where I had two summer holidays with the aunties in the late 1940s, early fifties at Bembridge and Sandown followed by two three visits over the past five years as well as a single day in the eights or was it the nineties? I also became interested in the allegations of historical child abuse on the island, with Masonic, political and other worrying allegations which were brought to my personal attention in the 1990’s.
However it was the appearance of Jimi Hendrix, only a short while before his death which brought and estimated 600000 people to the island, brought down the barriers and led to action being taken top repeat events. In fact the event itself was peaces as confirmed in the testimony of Hampshire’s Chief Constable to the Inquiry committee which was set up afterwards. I still have a tattered poster of the line up somewhere. On the Wednesday Kris Kristofferson had a hard time because of the acoustic limitations something which Paul McCartney experienced at the end of the original Live Aid Concert. There was also Procul Harum, Mungo Jerry, Lighthouse, Chicago and the Family on the Friday, John Sebastian, Joni Mitchell, Light house, Miles Davis, Emmersen Lake and Palmer, Ten Years After, The Doors, The Who, Melanie, Sly and the Family Stone provided a sensational Saturday. Joan, Byez, Leonard Cohen, Hawkwind, Ritchie Havens, Pentangle, The Moody Blues, Jethro Tull and Kristofferson, The Moody Blues, Ralph McTell, Free and Donovan all built up to the performance of Hendrix. Although the numbers and anarchistic nature of the event resulted in its closure the following year the first Glastonbury event was organised as a direct consequence and which over the past forty years one or more millions of people have participated and enjoyed.
Three decades were to pass before The Isle of Wight welcomed a rock festival again in 2002 with Robert Plant and the Charlatons appearing to an audience of 8000 to 10000 although the capacity had been set at 22000 suggesting fears on the part of potential participants about what had occurred before. There is also the additional expense of the high cost ferry travel and the extent of camping and other facilities but I suspect the main problem was limited level of performances and stages. There were similar limitations in 2003 with only Bryan Adams and Paul Weller commanding attention.
The situation became more positive in 2004 with an audience of 32000, and with David Bowie, The Who and Sterophonics headlining together with Manic Street Preachers, the Charlatans and Snow Patrol. It is of interest the bands who played and have continued to perform notable Feeder who returned this year and Roxy Music’s Bryan ferry although he appears to have stopped travelling the circuit. Others on the 50000 attended show over three days included REM, Snow Patrol, Ray Davis of the Kinks, Snow Patrol, Travis and Faithless.
The larger gathering trend continued the following year to 55000 with the Proclaimers, the Foo Fighters and Primal Scream; also back this year, with the Editors and Susanne Vega Coldplay, Maximo Park, the Kooks and Whiter Shade of Pale Procul Harum.
It was in 2007 that the festival reached the heights with The Rolling Stones, Kasabian, Amy Winehouse, and Snow Patrol. The Feeling, Echo and the Bunnymen, Ash, Donovan, Keane as special guest, Paulo Nutrini, James Morrison, The Fratellis, and Melanie C. There were 60000 paying customers.
In 2008 the numbers were down but measures had been taken to reduce queue and offer those who wishes guaranteed tickets for the following three years. In terms of performances it can be said the line up failed to up to the previous year With the Sex Pistols, NERD not everyone’s cup of tea but there was the Police, the Kaiser Chiefs. KT Tunstall. Scouting for Girl who is headlining a free concert in South Shields in mid July, Amy McDonald and Kate Nash, The Hossiers and the Wombats.
In 2009 I enjoyed the Ting Tings also seen at with Basement Jaxx at Glastonbury and Palo Nutrini who did a New Year Eve Show with Jools Holland one year. Headliners were Neil Young, Sterophonics The Prodigy, Razorlight and the Pixies also Maximo Park and Simple Minds, The Human League, Bannerama, Alesha Dixon, Beverely Knight and Pixie Lott. Judy Collins who I have seen at the Sage and should have been headliners was way down on the menu, Ultravox, Will Young, McFly, Eddie Reader, Ladyhawke and the complete Stone Roses.
In 2010 Florence and Machine and Jay Z, headliners also at Hackney, topped the bill on the first night, Blondie and Crowded House on the Saturday, Paul McCartney, The Editor, Pink, Spandau ballet and Susanne Vega, Suzi Quatro, Shakespeares Sister, Noah and the Whale and Oribital. Last year it was the time of Kings Of Leon, Light my Fire, Kaiser Chiefs and a band whose records I have Big Country, the Foo Fighters and Pulp, Kasabian, Pixie Lott and Plan B, Alexandra Burke and Imelda May seen in 3 D. Tom Jones also in 3D and the Vaccines and the Manic Street Preachers.
Which bring me to this year and the great disappointment because of the absence of red button or online sets of the mainliners Bruce Springsteen whose only number of note shown was Wrecking Ball and Pearl Jam. There was little more of Tom Petty and Elbow, Noel Gallaghers (Oasis) High Flying Birds. I have just discovered that it is possible to view the full three evenings broadcasts on the Sky Player over the coming month however this still excludes the full sets compared to the BBC Hackney and able for the limited period of one week. My complaint is therefore at the management of the event in terms of broadcasting rights and the decision to hold both events at the same time which is worthwhile looking into.
An event such as the Isle of White Festival commands big bucks. The event costs £160 per adult with an addition £30 camping fee unless the camper van is hired for £100. A 500000 crown will bring in £10 million on top of which here is the income from broadcast rights and concessions for food, drink and everything else. Obviously the costs of buying the attendance of the artists, creating the site, stage crews, security staff and the ticketing administration from the organiser’s viewpoint are also considerable and a risk but we are talking big bucks profit.
I need to com-plete the politics writing given the way the events have unfolded over this week and last so I will close this piece but take the time to go over the recordings in the hope of uncovering talent which I have not appreciated to date.
Thursday, 28 June 2012
Saturday, 28 January 2012
Janice Joplin and the Big Brother Holding Company
The opportunity is taken to mention an interesting and at times moving Sky Arts Channel programme on Big Brother and the Holding Company who provided a platform for Janice Joplin to begin her career. The band established themselves as the House band at the Avalon in San Francisco. They recruited Janice on the recommendation of one member and for a short period of time she was an integral part of the band participating in the making of their first album on which she features.
Before the record was released they were invited to perform at the Monterey Free Pop Festival in June 1967. The artists had to agree to be filmed and the organisers hoped to make money from a film of the production. The band less Janice refused to sign up for the film for free so when it came to be made there are only close up shots of her and not of the Band Members. This brought her instant international success with insiders referring her to the successor to legendary blue singer Bessie Smith. This aroused great interest in their forthcoming album. The problem was that while Janice understood the need for professionalism and commenced to be supported by background professional the others found it difficult to adjust. They would require scores of takes to get one number right while Janice would record her numbers in a couple of takes both capable of being used. There was also a problem that the band had not yet worked out its identity.
The original title of the album was to be Sex, Dope and Cheap Thrills which for commercial reasons was changed to Cheap Thrills. The album became the biggest seller of 1969 earning more than £1 million and eventually had over one million sales. She played her last live concert with the band in December 1868 forming her own group as a solo artist, the Kosmic Blues Band.
The band continued without Janice for 3 years and then apart from one concert performance they came together again in 1987 with almost all the original members except for one who disagreed with the policy of recruiting a female singer to replace the role of Janice. The band continues to perform and make records to this day but does not use one female singer with a least a dozen having been involved to date.
The programme included interviews about their time with Janice and contained archive interviews and sessions. I have an original tape of Janice singing which I must cover one day. One could ask if it would have been if the career of Janice had not been so short lived and she along with Billie Holiday became two of the great jazz/blues and her case female icons of my generation with sadly the latest brilliant and troubled singer dying last least year- Amy Winehouse I put her work higher than Janice because she was such a great song creator as well as singer and she could have gone on to rival Billie Holiday had she lived.
Before the record was released they were invited to perform at the Monterey Free Pop Festival in June 1967. The artists had to agree to be filmed and the organisers hoped to make money from a film of the production. The band less Janice refused to sign up for the film for free so when it came to be made there are only close up shots of her and not of the Band Members. This brought her instant international success with insiders referring her to the successor to legendary blue singer Bessie Smith. This aroused great interest in their forthcoming album. The problem was that while Janice understood the need for professionalism and commenced to be supported by background professional the others found it difficult to adjust. They would require scores of takes to get one number right while Janice would record her numbers in a couple of takes both capable of being used. There was also a problem that the band had not yet worked out its identity.
The original title of the album was to be Sex, Dope and Cheap Thrills which for commercial reasons was changed to Cheap Thrills. The album became the biggest seller of 1969 earning more than £1 million and eventually had over one million sales. She played her last live concert with the band in December 1868 forming her own group as a solo artist, the Kosmic Blues Band.
The band continued without Janice for 3 years and then apart from one concert performance they came together again in 1987 with almost all the original members except for one who disagreed with the policy of recruiting a female singer to replace the role of Janice. The band continues to perform and make records to this day but does not use one female singer with a least a dozen having been involved to date.
The programme included interviews about their time with Janice and contained archive interviews and sessions. I have an original tape of Janice singing which I must cover one day. One could ask if it would have been if the career of Janice had not been so short lived and she along with Billie Holiday became two of the great jazz/blues and her case female icons of my generation with sadly the latest brilliant and troubled singer dying last least year- Amy Winehouse I put her work higher than Janice because she was such a great song creator as well as singer and she could have gone on to rival Billie Holiday had she lived.
Saturday, 4 June 2011
Take That Progress Tour 2011
On Tuesday May 31st, I participated in the 4th Take That concert at Sunderland’s Stadium of Light of their 2011 European Tour. I cannot describe myself as a fan of either the original or later Take That male singing group or of Robbie Williams the Solo singer who also participated in this concert by the group after an absence of 15 years. However when the invitation arrived there was no hesitation on my part other than to immediately accept and the event became the centre piece of the bank holiday half term week which included several meals out, some good swimming sessions and the first of the 20 20 cricket matches this season at the Emirates Durham International.
The last stadium concert attended was in 2003 to watch for the third occasion, Bruce Springsteen and the East Street Band. It was attending the Metro Arena X factor concert in Newcastle where Leona Lewis was the winning star which led to discovering of My Space and the publication of my new writings there and the decision to stop contributing to the now defunct AOL Blogs where in addition to the writings I had published some 40000 photos of my 101 work to that date. I mention this because it is as a consequence of writing about the Take That Concert that the decision has been taken to concentrate once more on my project 101 artwork and more significantly, on the work on my life to be published posthumously. I will complete the writing of the Game of Thrones experience but alongside that work of reading the books and watching the TV series. I will publish writings of my contemporary experience but these will be no more that diaries until the major writing is finished and then substantial progress has been achieved in the artwork project
I have been to several stadium concerts with David Bowie at the former Sunderland Football ground at Roker Park, coming to mind and Elton John, Tina Turner, the Rolling Stones and the most memorable of all the July 13th 1985 Live Aid Concert at Wembley. I therefore described myself as a seasoned rock concert goer prepared to queue early to get a good seat and to spend hours in traffic jams at end of an event. In this in instance there was a specified seat so there was no need to arrive mid afternoon and from my experience as a Sunderland Stadium of Light season ticket holder I knew where it is possible to park within a couple of minutes walk from the stadium if you arrive about two hours before event.
It was therefore possible on the Tuesday to take the Car for a midmorning swim at the Marriot and find surprisingly that the pool was again empty as lunchtime approached and then enjoy a cheese and pickle sandwich in the bar lounge with a soft drink before parking the car around 14.15 and returning home by bus. There are three bus routes from Sunderland back to Shields with the quickest and most direct the 35 which has the advantage of stopping close to the stadium and starts at the South Shields bus station. Around 5pm I walked part way down the hill to the local Wetherspoon’s for an eight oz rump steak with jacket potato, a mushroom, tomato and peas accompanied by a bottle of Beck’s, akin to Peroni all for the same price as the lunch! It was then time to walk down the rest of the hill to the bus station and a wait for ten minutes before the next 35 bus journey to the stadium.
Usually, in the roadway, immediately leading to the stadium there are programme, magazine and souvenir sellers with stewarding only within the stadium arena. On Tuesday there were dozens of stewards at the beginning of the approach roads advising everyone which part of the stadium they should head for. The car park area was fenced off for those who had ground tickets and wished to queue to gain entry into the arena and close to the stages. There were also stewards at the turnstiles helping to ensure that everyone had arrived at the appropriate entry point for their ticket which had to be inserted in an electronic check machine that opened the gateway. Other stewards inside the concourse were available to direct further if required although outside the turnstiles and inside there were large sign boards showing the locations of aisles, and seat numbering. Similarly within the stadium area the stewards were present to help rather than for security purposes. There was no security check for any baggage and no signs preventing the use of mobile phones or other recording equipment. There are some 900 videos available on You Tube of events at the stadium with one ten minuets of good quality vision and sound of the event. In addition to the music the videos provide evidence of the development in production from the days when concerts consisted of a stage, lighting and banks of huge speakers.
The seats were one row from the back of the second tier just below the Black Cat Club lounge whose window overlooks the whole length of the North Stand pitch immediately opposite the main stage. The seats were at the same height as those within the stadium outside the executive boxes which fill the whole length of the West stand above the Chairman’s and Board central seating area, the media area and the other more expensive seating in the stadium. The price of the ticket was £63 plus Vat plus booking fee.
The main stage was at the opposite end filling the full width and height of stadium. At each end there were close up screens and centre back, a larger electronic screen. Above and around the screen on what appeared to be just a covered steel frame with large coloured squares. At stadium roof level there was the lighting control gantry and above this, there was a huge spider man figure whose outstretched hands embraced the entire width of the southern end of the stadium. From the main stage area there was a large runway leading to the second stage area which was located in the final third of the arena, closer to our position than those hugging the guard rail front of stage. The runway and stage was at the head level of those standing in the arena. Major stage productions are not new with David Bowie setting the standard in the early 1980’s although it was Queen which created the international standard with its tour of the United States as they did with Bohemian Rhapsody video, a record which lasts twice that of the standard pop chart number and which everyone in the industry said would not be played but headed the charts for nine weeks, selling over one million copies 1975 1976 and is regarded by many as one of the top 100 singles of all time world wide.
The stadium was about three quarters full for the support act of the Pet Shop boys who played a set from about 19.20 to 20.00. If I am honest, and I try to be, I am more familiar with more Pet Shop songs than Take That with West End Girls, Always on my Mind, Heart and It’s a sin being known to me and to millions of others given sales of 100 million world wide and 42 Top 30 and 22 Top 10 singles in the UK charts. The duo compromises Neil Tennant now 56 born in North Shields and Chris Lowe, three years younger, from Liverpool and both with degrees, Neil’s in London which led him to become London based. He then worked for Marvel comics and then for music industry magazines and papers. He was one of the biggest donors to the Labour Party before joining the Liberal Democrats. Chris Lowe became an architect and a Trombonist before forming an association with Tenant in the early 1980’s both having an interest in the development of keyboard club dance music.
Their stage performance is traditional with Chris famous for his static playing of the keyboard without any movement or attempt to project himself to the audience. For the Take That tour performance Neil was accompanied by a backing group of four young women who wore coloured boxes on their heads for much of the act or performed healthy exercises in swim wear. The audience while appreciative of the music and singing along with the songs remained seated and there was flatness about their set as everyone waited for the main event. I say this in the context that their Glastonbury appearance last year was highly regarded. They have performed with Dusty Springfield, David Bowie, Elton John, Shirley Bassey, Liza Minnelli, Boy George, Kylie Minogue, Madonna, and more recently Girls Aloud and Lady Gaga.
The 2 hour Take That extravaganza commenced around 8.30 and was in three parts, and by this time I could not see a vacant seat and the pitch audience covered 90% of its area. The big screen showed some 54000 customers before it was dismantled along with the coloured squares revealing a five section backstage with a central section which also made way for various surprises. In the fist part Take That, the four entered and came to the foremost part of the extended stage to sing The Greatest Day and to say hullo, how appreciative they were of our presence and how much they looked forward to starting their tour in Sunderland. If I remember accurately they disappeared into the big screen and then became part of it just as Robbie Williams came out of it to commence his individual set of songs which ended with a rendering of Angels.
At the commencement of the writing I said I participated although my contribution was to stand for the performance, clap and move about on the spot in time with the beat of the music. This was one the less expressive performances from the audience who general knew the words and joined in whether they can hold a tune or not and vigorously moved body and hands with great energy. Given the cost fo tickets, the transport and accommodation for many, the programmes at £20 and T shirts and other souvenirs pro rata, it is understandable that many also drank several pints beforehand to get into the spirit of the event. In order to ensure that the voices of the performers were raised above the mass choir and the excellent backing band there was a great array of speakers slung around the rim of the roof as well as strategic positions at the stages so that the sound reverberated against the roof and against the windows of the Black Cat Club.
Looking at videos the Circus tour it is evident that that they are used to spending a fortune in building sets which add to the excitement and sense of wonder and which will form my lasting visual memory of which there were three main components. When located at the end of the raised platform closest to where I was sitting the group performed with dancers in a variety of costumes and effect which included fire twice with swirling flames for Light my Fire and then towards the end surging upward flames followed a major explosion of flame the heat of which I felt from where I sat for Relight the Fire. The most spectacular event at this end of the arena was KIDZ which involved a full set of living chess pieces engaging in combat and the most colourful Shine which included a large Caterpillar on top of which a member of the group sang.
The back stage was the setting for two spectacular moments with around 25 aerial dancers performing like spider men and then forming giant size figures of the evolution of human kind as we rose from being on all fours to two legs. The other event was the Flood which as the title suggests comprises water cascading the down the width of the stage. Finally all the framework screens were removed to reveal huge projection screens again the whole width of the stage to colourful visuals reflecting the mood of a song bathing the whole stadium as lighting around the stadium matched.
This leaves the central walkway which had to be lowered twice to facilitate the use of major mechanicals. The first has become a standard at concert involving a swing arm in this instance or some physical projection which enable the artist to move above the assembly allowing them to bend down and touch hands. This was a Robbie Williams moment. This was no more than a build up for the appearance of Mr Om a giant mechanical who first appeared on the front of the main stage but was then wheeled along ground base tracks to a central point in the arena where he was transformed from a flat position to standing tall with his head again above the height of the stadium roofing when the construction remained as the Encore finale took place at the extended stage end with the singers saying this was the end and while still singing, moved at ground level either side of the walkway shaking hands with the closest admirers.
Having had seats at the back of the second level before I know that if you do not set off five minutes before the end you have to wait until everyone else departs and in this instance those on the pitch area had to be included. Everybody left in orderly fashion and there was no crush. Reaching my vehicle I had expected to find a car jam when exiting into the one system to the right which takes vehicles back along the Newcastle Road towards the Regional Capital, or over the Wear Bridge into Sunderland town centre, or in the opposite direction along the coast road to Roker, Seaburn and on to South Shields. It is possible to get to South Shields by two other streams on the same one way system, by going straight on at the first set of traffic lights and joining the coast Road at the junction between the coast and the river, or swinging left with the option of taking a road parallel to the coast road, having first passed the former site of Sunderland Football Club, Roker Park, now an estate of yuppie housing, and on until reaching Sea Lane where I lived and swinging down the hill passed my former home to the Marriot Hotel, or alternately continuing through Fulwell to joining the road for South Shields which connects with the Newcastle Road going through the Academy of Light and the village of Cleadon.
For the same size of crowd or less at football matches unless you left the ground early one became caught up in a slow moving car jam but on the evening it was possible to join in and make the way home at normal travelling speed. The only thing spoiling the occasion was to find, or not find, more accurately, the remote control for the garage with the spare left inside the house. It was not until following afternoon that I visited the stadium in the hope of checking under the seat where I remain convinced the remote fell. What happened is that the person to my right spilled the pint drink at their feet and in the rush to rescue my coat which I had placed under my seat it was turned upside down and in the noise of the stadium I failed hear the remote fall out. Alas I was not given permission to check and after sending emails and a telephone call I received the information that the stadium had been swept and surprise nothing be found. Such a small item would have been easily missed and swept up with the rest of the rubbish. Fortunately the spare is in good order but a new spare will cost around £50 as the it has to be delivered a set with the cost of the petrol and labour being significantly greater than the remote itself.
After Sunderland there are eight days in the home town of Manchester, 2 nights at Cardiff and Dublin, 3 Glasgow and 2 Birmingham followed by 8 London before visits to Milan, Copenhagen, Amsterdam, Hamburg, Düsseldorf and Munich, Given that the crew for the set were based in Sunderland over a three week period, it is amazing that the dissembling and resembling can be accomplished with a couple of days unless there is a duplicate staging. The Sunderland crew did not pack up into their two coaches until the day of morning of the final concert. It is said that the staging cost £15 million produce but with total audience set to reach 1.75 million a total yield in excess of £100 million is likely of which £50 million could be available to be shared between band members. Take That has an interesting history formed by bringing together talented individual singers in 1989 with Gray Barlow impressing most because of his catalogue of created original work. It was four years before superstardom came their way with a number I album success of original work by Barlow, and followed by new albums in 1994 1995 with a world tour planed for 1996. Meanwhile Robbie Williams was hitting headlines for the wrong reasons of drug abuse and talk of a solo career, being seen partying with other performers such as George Michael and Oasis. He left the band breaking his contract for which a $200000 settlement was arranged and while the tour continued, the band disbanded in 1996 with all the members following separate careers. The effect upon thousands of teenage girls was dramatic with so many in tears and threatening suicide that the government established counselling helplines.
It was ten years later that the group minus Robbie came together and went on tour culminating in backing Leona Lewis in her A Million Love songs single for the X Factor final live show. As Christmas approached their comeback album Beautiful World and single topped every chart in the UK including downloads and DVD thus becoming immediately the top group of its kind in the UK. They had major tours in 2007 and 2009 and foursome. It was in 2010 that the group confirmed that Robbie Williams had rejoined and he and Barlow had created a new album Progress which when released broke all records. It is said that over 1 million tickets were sold for the tour on the first day they went on sale leading to the addition of dates. A second album branded as Extended play called Progressed will be released later this month with both albums issued as a special edition. Among the numbers performed at the concert I have already mentioned Kidz, Happy Now and there was also Underground Machine with the one of single issued songs The Flood and Love Love.
It has been quite a week with on Sunday going for the first day of the successful cricket championship game in which Durham went to win against Lancashire by an innings. On Wednesday the morning after the concert I watched a recording of the ballet Swan Lake from Covent Garden Opera House and then had a great roast beef lunch at the Britannia Toby Carvery in Cleadon Village. The weather was glorious for the fist 20 20 game on Thursday evening when alas Durham could not get their heads from the Championship into the new format, whereas their opponents had a week to prepare. However it is the behaviour of the Durham University student on which I end after mentioning the excellent behaviour of the 50000 at the concert despite tens of thousands of pints being consumed. On Thursday evening a few hundred party mood students the worse for drink confirmed popular media imaging at the Emirates International Stadium. Added to which Durham lost.
Thursday, 26 May 2011
Beethovens 9th and the Grosse Fugue
Last night, 25th May 2011, I watched a film about the last years of the life of Ludvig van Beethoven centering on the completion and performance of the 9th Symphony and his writing of the Grosse Fugue. I was reminded once more of the occasion of first hearing a live performance during my first and only season of attending promenade concerts at the Royal Albert Hall with a half season ticket.
I was reminded that whenever I heard The Symphony No 9 in D minor, Op 125 "Choral" (1824) my soul revels in an ecstasy of emotion and memory at the wonder of my own experiences and at the capacity of talented and inspired human beings to create for the enjoyment and betterment of everyone and anyone willing to listen.
I went to my collection to CD’s and was shocked to find that I do not posses a copy and I was immediately too lazy to transfer the record player console from next door to this room, or sit next door listening. Fortunately I live in this increasingly wondrous but also horrific technological era when it is possible within seconds to conjure a full version of the Symphony via the Internet. In this instance a Live Performance on 17th May 1956 with Otto Klemperer conducting the Concertgebouw Orchestra. The sound reproduction via the internet speakers of this 50 year old recording was not good but nevertheless brought back my reactions to the film and previous listening.
Afterwards I decided that it was stupid to keep the present location of the audio player next door because I rarely, if ever, go just to listen so the next task was reorganise which involved a dusting and move the player to the small table behind me placed against a middle wall of the building so what while the sound will fill this room it will have less of an impact on neighbours. I have a pair of large Sony speakers which have to be attached by wire to the back of the unit with patient skill but once connected they produce a rich deep enveloping sound which underlines the limitations of the Internet and TV reproductions. I am listening to the 5th Symphony - bon bon bon, and the sixth, known as the Pastoral. I did find my copy of the 9th but the crackle was such to confirm that I do need one of those Internet connect units which removes the surface noise. I have the noble intention of converting all my video film, tape recordings to the CD and DVD as part of the artwork project, as well as reading all the books and then making written notes. At present I lack the physical strength and the will to complete all the tasks I have set myself as well as continue to experience “new” experience, but listening to the great Master composer I am fired with the fresh determination.
This was also the basic theme of the fictitious films called Copying Beethoven, and MGM 2006 production with Ed Harris giving an excellent performance of the aggressively deaf Beethoven and Diane Kruger as the female composer who persuades her father to allow her to go on her own to Vienna to study at the conservatoire and live at a local convent. She is a fictional character and the convent aspect is a gesture to the reality of the times 1824 1827 when apart from courtesans and the proletariat an educated middle/upper class woman would not be allowed to travel unaccompanied. The other concession to modernity is that she has a boyfriend and although kiss is a chaste one this again would not have been permitted.
The purpose of this fictional character is to expose the temperamental genius of the Maestro who was totally deaf and could not hear the music he was creating and communicated mainly by notepads. And the theme? The nature of creative genius and the inspiration which the young woman experiences by undertake work for Beethoven and which at one point he declares “you want to me.”
In the film story the young woman knows/studies/is related to the man who acts as copyist and assistant to Beethoven who because of illness asks her to step in for a session and she grasps the opportunity and sticks with the position despite the dust and chaos in which he lives, including rats. He is attracted, in a nice way, to her individuality recognising a fellow spirit whose creative abilities need to be unlocked from the conventional upbringings of the day.
In the build up to the completion of the ninth Symphony there are two sub stories. The first is the relationship between Beethoven and a nephew who has gambling debts and comes to Beethoven for financial help. Beethoven adores the young man and wants him to become a concert pianist but the young man knows he has no talent and wants to become an officer in the military. The second story is that of the relationship between the young copyist and her engineer boyfriend who has designed a bridge for a competitive selection contest. The bridge is a great disappointment to the girl who pretends otherwise but Beethoven who attends smashes the work with his stick because it has no soul, something when pressed the young woman agrees. The boyfriend issues an ultimatum that she must have no contact with Beethoven or lose him and she chooses Beethoven because in her the creative drive dominates all others.
.
The highlight of the film is the first performance of the Symphony where the Director has skillfully fused the opening of the work with opening of the choral fourth movement. Beethoven officially conducted but in reality the Orchestra was required to follow the directions of another, in a less conspicuous location and ignore those of Beethoven. He had male assistants on the platform giving him the tempo so he could attempt to synchronies his hand movements with the orchestral sounds. In the film the young woman is placed among the musicians enabling him to give a perfect rendering. Her boyfriend is in the audience and responds to the situation with a mixture of admiration and jealousy. Also in the audience is the nephew who is emotionally affected and appears to be remorseful for his recent behaviour.
What is authentic is that the Viennese high society was ecstatic in their appreciation of the new work. In fact the response of the audience was such as to cause concern because it exceeded what was permitted by the conventions of the day.
This reminds of the different reactions in the USA and the UK to when Tony Blair was invited to address the joint House of the State and President Obama’s address to the joint Houses of Parliament in Westminster Hall. His speech to Congress as with the Presidential State of the Union speech there are prolonged applause interruptions, up to a score of occasions. The addresses at Westminster Hall, the previous being Nelson Mandela, The Pope and Her Majesty the Queen are greeted in respectful silence with prolonged applause at the end. Yesterday there was one unscheduled interruption when he referred to the own background and becoming the President. Whether he had intended or not at the end of the speech instead of quickly departing he moved into the long hall and made a slow walk shaking the hands with as many people as he could including a surprised and joyous Nicholas Soames, the grandson to Winston Churchill to whom the President referred in his speech several times. I will comment more on the speech and the visit later.
Returning to the film there were two other aspects worth recording. The first is the reaction of Beethoven to the first musical composition presented by the young woman which ridicules. He makes amends later by commenting favourably having made generalizations about the death of female composers who have made it in the past an observations which remains valid, although this has as much to do with the musical establishment and with any lack of abilities.
This brings me to the other subject of the film, we mostly if not all, end our lives in a sense of failure, and in his instance the Grosse Fuge, the Grand Fuge, which was one the last works he created as a single work for a string quartet without a break for individual movements and is a combination of “dissonance and contrapuntal complexity.” In the film the audience walks out to a man and woman leaving him alone with the young woman who also admits she also does not understand the music. Ivor Stravinsky declared the work an absolute contemporary piece of music that will be contemporary for ever. Along with the Ninth considered by many to be one of the greatest symphonic works of all time, the Fuge is regarded as one of his greatest works, and as with all genius the work is often so ahead of its time to be unappreciated and even ridiculed in the day. I followed the Symphonies with a recording of the sound track of the film about the life if Jacqueline Du Pres which ends with a full performance of the Elgar Concerto in E Minor for Cello and Orchestra and which ended just in time for the commencement of the third day’s play at Edgbaston only to find the start was delayed because of rain.
Thursday, 12 May 2011
Mahler and Rachmaninov in 3 D
My soul is in live entertainment and art but I am limited in what I can now experience directly because of two factors. My age and chosen way of life and the way I have allocated my finances. The age issue existed before the decision to rise before six and swim in that I have attended orchestral concerts and stage events and struggled to keep awake during evening performances however interesting the work. I have had the same challenge going to afternoon performances both before and since the swim regime, but have been able to manage better recently. I do not dare try and work out the cost of white and coloured A4 cards, the display albums, box files, transparent pockets, the boxes, the photographic paper the glitter pens, the in cartridges and the glue, the printers, computers, cameras and recording devices, display units, lockable filing cabinets, subscriptions and other materials used to create the art work project where recently I finally achieved the half way mark with 10000 completed sets and with other work in progress around 250000 cards and paper sheets now that I have been forced to change down through lack of space as well as cost. The cost of live everything has anyway outstripped my ongoing means at the level I would have wished had I not been so committed to the project.
This week is going to a test of my ability to change my daily life cycle as I decided not to resist the opportunities for new experiences while continuing my present level of involvement with additional or different experience. I use additional experience or different to describe experience which is similar to that of before such going to watch Durham play championship cricket at the Emirates riverside against Somerset. If I was going to a game at Taunton then I would describe this as new or original experience because I have never watched cricket at Taunton although I have travelled through the two while driving to other places in Devon or on to Cornwall.
On Sunday evening May 8th 2011, I stayed up until after 11 pm and turned off the mobile phone alarm notification for 5.30 and although I awoke and made myself comfortable around 5 am I return to bed, turned my face away from the window and the daylight beyond and manage to sleep again rising around 7 to put the rubbish wheelie bin out and then returning and getting up finally around 8.30. The reason for this change of regime was a visit to the Cineworld Bolden for a film in 3D of Sir Simon Rattle and the Berlin Philharmonic Orchestra play two major works at the concert theatre in Singapore.
“The film starts directly with the first beats of Mahler's first symphony, thus without the usual pictures of the conductor and the applauding audience. Through location shots you slowly get closer to what is happening. From above, through the port and Singapore's skyline you step into one of the most important concert halls of the world: the Esplanade – Theatres on the Bay in Singapore. On the one hand it is Singapore's emblem and symbol; on the other hand this Concert Hall has showcased some of the best Asian and Western music performed by some of the world's most notable musicians and conductors.” The concert theatre in the semi round appears to hold more than the 1600 because of the number and height of the tiers and is adjacent to a stage theatre with seating for 2000 in an iconic waterfront building not as effective as the Sydney opera house but better than the Sage in Newcastle upon Tyne.
“With the beginning of the first movement's principal theme the spectator arrives at the Concert Hall next to the Berliner Philharmoniker. Mahler's first symphony, originally bynamed as "Titan", lures the audience into a great symphonic world of sounds. The orchestra is visualized as the sounding body, musical structures interwine and music becomes visible. The film stays with the musicians and Sir Simon Rattle for the following parts of the symphony. Thus it gives the spectator the possibility to adapt and to enjoy the new 3D experience.”
“The capture of space in the image complies with Mahler's aesthetic of composition, its natural sounds and the diverse levels of different musical styles. Through the new visual language of 3D it is possible to add an unknown immediacy and intensity to the concertfilm. Just as we arrive at the orchestra, we are raptured from the sound's point of origin again.”
I would describe the experience as being able to get an even more intimate view of individual performers than the conductor and of the orchestra from the perspective of the conductor. The music is not affected by any extraneous audience sounds which I cannot say for the Bolden Cineworld where the small audience of 23, 19 ladies all but two between sixty and eighty and four gentlemen including men of at least sixty years of age. One would have not therefore expected noise at admittedly one of the younger women seated in front munched the form of crisps sold in cinemas, while one of the oldest expressed her reactions to the 3D effects, presumably for the first time. This lasted a good five minutes and I contemplated moving to the lower part if the cinema as the 23 had been placed or placed themselves in close proximity in the middle to upper tiers.
Mahler composed the word between 1884 and 1888. I was struck by the size of the orchestra yet for most of the time the emphasis is on woodwind and brass and on gentle tone play.
The original programme notes which were immediate dropped described the first part as taking inspiration from spring and the awakening of nature, flowering and setting off with full sails. The second part included a funeral march and the expression of a deeply wounded heart. Although the notes were withdrawn they do convey much of my reaction to the music
There was no interval between the two pieces although there was provision for the cinema to do so. The second piece was the Rachmaninov's Symphonic Dances and the music is accompanied by brief scenes from around Singapore revealing the different ethnicities, cultures and religions of the people covering their movements, their faces, worship in a Hindu Temple, sights of the Western Skyline, a modern covered pedestrian walkway and Chinatown. I thought this worked well although not all the audience was impressed. The selection of images had direct relationship to the music especially the two sequences of dance movements and the ecclesiastic references as Rachmaninoff was much interested and affect by religious music and chants.
I learned from the notes on the Internet that it is “almost 100 years since the Berliner Philharmoniker became the first orchestra to record. Since 1913, it has been at the cutting edge of technological developments like broadcasting concerts, recording complete symphonies and operas on Schellack, Longplay and later Compact Discs – always using the latest techniques. What better orchestra than the Berliner Philharmoniker to be the first to bring concerts to cinemas in 3D, “Helge Gruenewald, Artistic Advisor, Berlin Philharmonic. I would certainly attend other 3D classical concerts because of having the best seat in the house and because of the price, although I suspect it could have an eventual effect on actual attendances in the theatre.
This week is going to a test of my ability to change my daily life cycle as I decided not to resist the opportunities for new experiences while continuing my present level of involvement with additional or different experience. I use additional experience or different to describe experience which is similar to that of before such going to watch Durham play championship cricket at the Emirates riverside against Somerset. If I was going to a game at Taunton then I would describe this as new or original experience because I have never watched cricket at Taunton although I have travelled through the two while driving to other places in Devon or on to Cornwall.
On Sunday evening May 8th 2011, I stayed up until after 11 pm and turned off the mobile phone alarm notification for 5.30 and although I awoke and made myself comfortable around 5 am I return to bed, turned my face away from the window and the daylight beyond and manage to sleep again rising around 7 to put the rubbish wheelie bin out and then returning and getting up finally around 8.30. The reason for this change of regime was a visit to the Cineworld Bolden for a film in 3D of Sir Simon Rattle and the Berlin Philharmonic Orchestra play two major works at the concert theatre in Singapore.
“The film starts directly with the first beats of Mahler's first symphony, thus without the usual pictures of the conductor and the applauding audience. Through location shots you slowly get closer to what is happening. From above, through the port and Singapore's skyline you step into one of the most important concert halls of the world: the Esplanade – Theatres on the Bay in Singapore. On the one hand it is Singapore's emblem and symbol; on the other hand this Concert Hall has showcased some of the best Asian and Western music performed by some of the world's most notable musicians and conductors.” The concert theatre in the semi round appears to hold more than the 1600 because of the number and height of the tiers and is adjacent to a stage theatre with seating for 2000 in an iconic waterfront building not as effective as the Sydney opera house but better than the Sage in Newcastle upon Tyne.
“With the beginning of the first movement's principal theme the spectator arrives at the Concert Hall next to the Berliner Philharmoniker. Mahler's first symphony, originally bynamed as "Titan", lures the audience into a great symphonic world of sounds. The orchestra is visualized as the sounding body, musical structures interwine and music becomes visible. The film stays with the musicians and Sir Simon Rattle for the following parts of the symphony. Thus it gives the spectator the possibility to adapt and to enjoy the new 3D experience.”
“The capture of space in the image complies with Mahler's aesthetic of composition, its natural sounds and the diverse levels of different musical styles. Through the new visual language of 3D it is possible to add an unknown immediacy and intensity to the concertfilm. Just as we arrive at the orchestra, we are raptured from the sound's point of origin again.”
I would describe the experience as being able to get an even more intimate view of individual performers than the conductor and of the orchestra from the perspective of the conductor. The music is not affected by any extraneous audience sounds which I cannot say for the Bolden Cineworld where the small audience of 23, 19 ladies all but two between sixty and eighty and four gentlemen including men of at least sixty years of age. One would have not therefore expected noise at admittedly one of the younger women seated in front munched the form of crisps sold in cinemas, while one of the oldest expressed her reactions to the 3D effects, presumably for the first time. This lasted a good five minutes and I contemplated moving to the lower part if the cinema as the 23 had been placed or placed themselves in close proximity in the middle to upper tiers.
Mahler composed the word between 1884 and 1888. I was struck by the size of the orchestra yet for most of the time the emphasis is on woodwind and brass and on gentle tone play.
The original programme notes which were immediate dropped described the first part as taking inspiration from spring and the awakening of nature, flowering and setting off with full sails. The second part included a funeral march and the expression of a deeply wounded heart. Although the notes were withdrawn they do convey much of my reaction to the music
There was no interval between the two pieces although there was provision for the cinema to do so. The second piece was the Rachmaninov's Symphonic Dances and the music is accompanied by brief scenes from around Singapore revealing the different ethnicities, cultures and religions of the people covering their movements, their faces, worship in a Hindu Temple, sights of the Western Skyline, a modern covered pedestrian walkway and Chinatown. I thought this worked well although not all the audience was impressed. The selection of images had direct relationship to the music especially the two sequences of dance movements and the ecclesiastic references as Rachmaninoff was much interested and affect by religious music and chants.
I learned from the notes on the Internet that it is “almost 100 years since the Berliner Philharmoniker became the first orchestra to record. Since 1913, it has been at the cutting edge of technological developments like broadcasting concerts, recording complete symphonies and operas on Schellack, Longplay and later Compact Discs – always using the latest techniques. What better orchestra than the Berliner Philharmoniker to be the first to bring concerts to cinemas in 3D, “Helge Gruenewald, Artistic Advisor, Berlin Philharmonic. I would certainly attend other 3D classical concerts because of having the best seat in the house and because of the price, although I suspect it could have an eventual effect on actual attendances in the theatre.
Sunday, 9 January 2011
The Musical
My love of the film includes the musical following one of my first visits to the theatre, the West End production of Irma La Deuce, subsequently made into a film. Another early experience was The Boyfriend which I saw on stage at Streatham and then took my birth and care mother’s and their elder sister to see. I enjoy seeing the film when it appears on TV from Time to Time.
I saw the London production of Hair and bought both long play records but was greatly disappointed with the film version. The musical love of my life is Miss Saigon which I saw in the West End Theatre four times and am thrilled to learn a film will come to cinemas later this year. I have Tapes of show which I must convert to a CD . I hope I will not be disappointed.
The most impressive and enjoyable theatrical experience musical remains Les Miserables, seen in the West End twice, having to leave the first showing immediately before the end to join others to view Miss Saigon. I have a DVD of concert version of the show
I missed Cats with a cold and cough although I had a ticket which was resold at the door. I saw Joan Littlewood Oh What a Luvely War at Stratford although the film is not as effective as the stage performance I saw Blood Brothers at Newcastle’s theatre Royal and the 15th year edition at the Richmond Theatre on the Green only two years ago. Minor entertainment but enjoyable none the less was Five Guys named Mo. Seen on stage and then on film with the DVD on hand is Evita where I liked the film better than the live performance
I won a weekend trip to London from the Daily Mail which included two night’s hotel in central London, diner one evening and a trip to a the theatre which was to see a musical about life on a train whose name I cannot remember. 42nd Street but did I see in London, or locally?
There was the life of Dusty Springfield seen in Newcastle and another musical celebrating an era in London with a half price ticket where again I cannot remember the title. I did not get to see Abba the show but enjoyed the Movie in theatre and enjoy the DVD. It remains great fun.
Just before Christmas I saw the stage version of White Christmas half a century since first seeing the film. It is an usual other way round where stage productions are then made into films. I must have seen other stage musicals. I must check on programmes to see if this has been so.
When it comes to musicals on film the list is long one and by no means comprehensive. I begin with those where I have the DVD or commercial video. I saw the film. The Sound of Music with colleagues from Oxfordshire Children’s department in the city when it was first released and then took my mother etc to see. I was sent the video as part of some offer. This is perhaps the most well known. I also took “the aunties” I took them into central London to see My Fair Lady on film having seen the film first separately. A recent favourite is Moulin Rouge which I saw in a theatre full of noisy teenagers in Sutton and later enjoyed seeing again at Croydon and view the DVD at regular intervals for the colour and the music.
The most interesting musical because of the seriousness of its subject remains Cabaret, seen in cinema theatre and have the DVD. These are the only musicals I have on DVD, I cannot remember what I have on video
Films involving Jazz and swing became important from the early 1950’s with the Benny Goodman story the most influential together with the Glenn Miller Story. St Louis Blues, Orchestra Wives, The Band Wagon Paris Blues, Young Man with a Horn, High Society(Louis Armstrong), The Gene Krupa Story, Jazz on a Summer’s day seen day after prison is included but is not a musical as such. Its Trad dad. Lady Sings the Blues, the life of Billie Holiday and Nashville with is County and Western but is included here because it remains one of my favourite films along with the Coal Miner‘s Daughter.
Films involving serious music are usually seen when ever they appear again on TV The Great Caruso, The Student Prince come to mind, Broadening the category I also include Carmen Jones, the Beggars Opera, Rhapsody in Blue, The Vagabond King, An American in Paris, Porgy and Bess and the Tales of Hoffman. Originally I included April in Paris, Flashdance and Amadeus, until deciding that the genre had to defined as a story told through music and dance.
The Contemporary music category must begin with Rock around the Clock, and Elvis Presley films Jailhouse Rock, King Creole, GI Blues,, Blue Hawaii, Fun in Acapulco, The Young ones and Summer Holiday with Cliff Richard, Beatles films such as, A Hard Day’s Night, Help and, Yellow Submarine. The who with Tommy. The Buddy Holly Story, The Blues Brothers, and Blues Brothers 2000., Fame, Pink Floyd and the Wall, and something called Espresso Bongo set in the Coffee Bar era. There are several others which I will try and remember
There has been a long tradition of films intended for the family with the Wizard of Oz the most well known Mary Poppins, Bednobs and Broomsticks, Dumbo, Hans Christian Andersen, Oliver, The Lady is a Tramp, One hundred and one Dalmatians, The Jungle Book, Chitty Chitty Bang Bang, The Aristocrats. Willy Wonka and Chocolate Factory come to mind among those I have seen, More recently there is the Lion King and for teenagers the High School series.
The Comedy Musical was personified with the Bob Hope and Bing Crosby Carmen Miranda Road movies - The Road to Singapore, Road to Zanzibar and Road to Morocco, Road to Rio, Road to Bali, Road to Hong Kong but not seen Road to Hollywood.
The list of others where I am yet to try an categorises is much longer than I first anticipated. The Broadway Melody, Showboat, Annie Get your Gun, Rio Rita, Gentlemen Prefer Blondes, Gigi, Chicago, The Producers, Ship Ahoy, Springtime in the Rockies and Yankee Doodle Dandy, Cabin in the Sky. The Desert Song and Shine on Harvest Moon, Anchor’s away and The Bells of Saint Mary’s, State Fair, Zigfield Follies, Blue Skies, and Ester Parade.
The Paleface,( Son of Paleface), On the Town, Annie get you Gun and Tea for Two, and On Moonlight Bay, The Belle of New York and Sailor Beware. Call me Madam, Calamity Jane, Kiss me Kate, Brigadoon, New Faces, Rose Marie, A Star is Born, There’s no business like show business, Hit the Deck, Kismet. Oklahoma and the Tender Trap.
Carousel and the Eddie Duchin Story, The King and I, Funny Face, The Pyjama Game and Pal Joey. Silk Stockings, South Pacific, Some Like it Hot, The Belles are Ringing, Can Can, Flower Drum Song, Gypsy. The State Fair, Robin and the Seven Hoods, Frankie and Johnny. Camelot Thoroughly Modern Millie, Funny Girl, Star, Hullo Dolly, Paint Your Wagon, Sweet Charity and Scrooge.
Song of Norway, Man of La Mancha, Bugs Malone, Slipper and the Rose. Grease. The Last Waltz Xandu, Annie, Best Whorehouse in Texas, Yentl, A Chorus Line. Sister Act. Nine Cleo, Follies I have not been a great fan of Singing in the Rain or Guys and Dolls. I am sure there are many others including the Busby Berkeley films seen at the Wallington Odeon in the 1940’s and 1950‘s
There is one other to mention which is the reason why I am writing this piece. It begins with a Confession in that at the time I was not taken with West Side Story. During last week the film versions appeared on a Sky film channel in HD so I recorded and then gave the film my undivided attention. As with many musical it is ad adaptation of an older story, Romeo and Juliet and star crossed lovers. The film won ten of the 11 nominated Academy awards.
The film opens in an unusual way with an orchestral introduction and no moving pictures. The scene is then set between two street gangs. The Jets are a Gang created from the established neighbourhood with includes a range of former immigrant groups while the Sharks represent the Newcomers, Puerto Ricans. The Jets resent the newcomers on principle and make it is evident they are not welcome to meet together anywhere on their territory, They have the support of the local police in this respect. While the fighting is undertaken by the young men their girls support, encourage and sometimes incite in the gang behaviour.
While the story is condemnatory of the behaviour there is an element in the film and original story which approves the codes of honour involved. The tension between the two gangs has been building leading to the situation of a once and for all showdown being arranged by representatives who will meet at a local candy/drug store. The co founder of the Jets has left to work at the store and dreams of having a girl friend and his life changing (Something’s Coming) The ongoing gang leader, Russ Tamblyn eventually persuades Tony, the other co founder to join the meting to arrange the fight.
The leader of the Puerto Rican gang Bernardo takes his sister Maria played by Natalie Wood and girl friend played by Rita Moreno to the local dance where both gangs enjoy themselves but keep apart from each other. An attempt is made at integration during which time Tony and Maria meet and fall instantly in love and leads to one of the well known songs from the Musical Maria. This leads to a debate about whether the Puerto Rican should keep the ethnic identity or attempt to integrate other cultures have done in the past, although to varying degrees with the USA even if they continue to live in ghetto type districts. It remains one of the great problems that the USA likes to present itself as unified and integrated society when in fact it has always been a collection of different cultures each protecting and furthering their identifies. What cannot be argued against is that loyalty and commitment to nation does bind them all. It is a paradox.
After the dance the couple meet in secret and this lead to the other major number from the show Tonight. When the parties meet to determine the form of the fight Tony has been influenced by his relationship with Marie to try and limit the violence with the suggestion of a fight between two leaders or their champions. Expecting that Tony would be successful Maria becomes excited when at work and sings I feel pretty. She then persuades Tony to try and stop the conflict altogether.
At the arranged venue for the fight Tony’s efforts are ignored and Bernardo kills the other cofounder the Jets. In his grief and anger Tony then kills Bernardo.
Tony goes into hiding, meets up with Maria and arranges to run away with her, returning to the store where he hides. Maria is held up and sends Anita, Bernardo’s girl friend to tell Tony that she has been delayed. At the store she is roughed up and threatened with rape for her efforts and as a consequence she tells Tony that Maria has been killed in revenge because of her friendship by the best friend of Bernardo. Tony is distraught and goes into the Street telling Chino to take his life. He then sees Maria and realises she is alive but when going towards her he is killed by Chino. The musical ends with the sentimental notion that because of these events the war between the two gangs will be brought to an immediate If government, national and local and strong, united and purposeful they can keep a lid on such deeply held differences often by getting rid off or making inactive the very people they previously used to undertake the dirty work. Often those previously leaders or in commanding positions are given political and other positions and they also often have the education and natural intelligence and understanding to make truce, armistice and peace agreements work. There is never immediate sentimental solutions.
However I can see why the work was so popular and achieved critical success. The music, lyrics and dance is integrated to a high level. and stands the test of time. I understand there are many differences between the film and the original stage show. Unlike Moulin Rouge there was however no inclination to immediate get the DVD and look forward to replays. Why is this so.
Moulin Rouge is also based on an internationally familiar work. In this instance La Triviata where a small group of bohemian artists struggle to make ends meet sharing garret and where one falls in love with someone who becomes terminally ill. My bohemian instincts, attraction to the Montmartre district of Paris, the Parisian nightlight life given the film a good head start over West Side Story.
Ewan McGregor a writer finds becomes friends with others sharing the same tenement in Paris close to the Moulin Rouge. They are developing a play for the owner of nightclub and because of an accident to one of their number involved McGregor and persuade the owner to accept him as the writer.
The owner played by the magnificent Jim Broadbent is seeking funds from the British Duke of Roxburgh who wants to have the star of the Moulin Rouge, Satine, played by Nicole Kidman who is experienced in spending the night with those who further her career and support the establishment. By mistake she mistakes McGregor for the Duke and puts up with his poetry reading and they fall in love. Without knowing this Broadbent in effects sells Satine to the Duke and obtains the funds for a complete refurbishment of the theatre and to make the new play into a great spectacle.
McGregor creates a work based on their true life situation in which Satine chooses love rather than wealth and position an ending which the Duke understandably dislikes. He puts up with putting of from Satine and finding the two in compromising situations. The Moulin Rouge owner then discovers the truth and is horrified because in order to ensure his possession of the girl and control over the show the Duke has required the deeds of the Theatre and the final word about the contents of the work. To make the situation worse, Satine and become ill but Broadbent has until now kept the seriousness from her. He now tells her the truth the situation and that in order to save everyone she must pretend not to love him. She rejects McGregor and agrees to spend the night with the Duke and agrees to changing the ending of the play after another jealous cast member alerts the Duke to the true situation. She changes her mind and the Duke tries to rape her but is prevented by the intervention of McGregor and as in West Side Story to plan to run away together.
In desperation Broadbent tells Satine that she is dying o consumption and that the Duke will kill McGregor unless she performs in the show and stops seeing McGregor. In anger McGregor attends the opening performance intending to give money to Satine for their affair todate and in the melee both end up on stage with the Duke’s bodyguard trying to kill McGregor. At one point Broadbent stops the Duke trying to kill McGregor directly. The show is a great success and then Satine collapses and dies. McGregor is seen in his garret writing his great work of truth and love, the Bohemian ideals.
The films continues to appeal to me for two reasons. The music is great often using very known music and lyrics in a creative and amusing way, particularly the South of Music The Hills are alive, and Children of the Revolution( T Rex) and Like Virgin(Madonna). Others remakes are Nature Boy (Nat King Cole), Lady Marmalade (Labelle), Because we Can (Fatboy Slim), Material Girl (Madonna), Smells like teen spirit (Nirvana), Diamonds are a girls best friend, (Marilyn Monroe), Diamond Dogs (David Bowie), One Day (Ill Fly away) Randy Crawford, Roxanne(Police), The Show must go on (Queen) Young Song (Elton John).
The other reason is the glorious colour photography. The combination of the two and the setting make this a film to enjoy time and time again,
I saw the London production of Hair and bought both long play records but was greatly disappointed with the film version. The musical love of my life is Miss Saigon which I saw in the West End Theatre four times and am thrilled to learn a film will come to cinemas later this year. I have Tapes of show which I must convert to a CD . I hope I will not be disappointed.
The most impressive and enjoyable theatrical experience musical remains Les Miserables, seen in the West End twice, having to leave the first showing immediately before the end to join others to view Miss Saigon. I have a DVD of concert version of the show
I missed Cats with a cold and cough although I had a ticket which was resold at the door. I saw Joan Littlewood Oh What a Luvely War at Stratford although the film is not as effective as the stage performance I saw Blood Brothers at Newcastle’s theatre Royal and the 15th year edition at the Richmond Theatre on the Green only two years ago. Minor entertainment but enjoyable none the less was Five Guys named Mo. Seen on stage and then on film with the DVD on hand is Evita where I liked the film better than the live performance
I won a weekend trip to London from the Daily Mail which included two night’s hotel in central London, diner one evening and a trip to a the theatre which was to see a musical about life on a train whose name I cannot remember. 42nd Street but did I see in London, or locally?
There was the life of Dusty Springfield seen in Newcastle and another musical celebrating an era in London with a half price ticket where again I cannot remember the title. I did not get to see Abba the show but enjoyed the Movie in theatre and enjoy the DVD. It remains great fun.
Just before Christmas I saw the stage version of White Christmas half a century since first seeing the film. It is an usual other way round where stage productions are then made into films. I must have seen other stage musicals. I must check on programmes to see if this has been so.
When it comes to musicals on film the list is long one and by no means comprehensive. I begin with those where I have the DVD or commercial video. I saw the film. The Sound of Music with colleagues from Oxfordshire Children’s department in the city when it was first released and then took my mother etc to see. I was sent the video as part of some offer. This is perhaps the most well known. I also took “the aunties” I took them into central London to see My Fair Lady on film having seen the film first separately. A recent favourite is Moulin Rouge which I saw in a theatre full of noisy teenagers in Sutton and later enjoyed seeing again at Croydon and view the DVD at regular intervals for the colour and the music.
The most interesting musical because of the seriousness of its subject remains Cabaret, seen in cinema theatre and have the DVD. These are the only musicals I have on DVD, I cannot remember what I have on video
Films involving Jazz and swing became important from the early 1950’s with the Benny Goodman story the most influential together with the Glenn Miller Story. St Louis Blues, Orchestra Wives, The Band Wagon Paris Blues, Young Man with a Horn, High Society(Louis Armstrong), The Gene Krupa Story, Jazz on a Summer’s day seen day after prison is included but is not a musical as such. Its Trad dad. Lady Sings the Blues, the life of Billie Holiday and Nashville with is County and Western but is included here because it remains one of my favourite films along with the Coal Miner‘s Daughter.
Films involving serious music are usually seen when ever they appear again on TV The Great Caruso, The Student Prince come to mind, Broadening the category I also include Carmen Jones, the Beggars Opera, Rhapsody in Blue, The Vagabond King, An American in Paris, Porgy and Bess and the Tales of Hoffman. Originally I included April in Paris, Flashdance and Amadeus, until deciding that the genre had to defined as a story told through music and dance.
The Contemporary music category must begin with Rock around the Clock, and Elvis Presley films Jailhouse Rock, King Creole, GI Blues,, Blue Hawaii, Fun in Acapulco, The Young ones and Summer Holiday with Cliff Richard, Beatles films such as, A Hard Day’s Night, Help and, Yellow Submarine. The who with Tommy. The Buddy Holly Story, The Blues Brothers, and Blues Brothers 2000., Fame, Pink Floyd and the Wall, and something called Espresso Bongo set in the Coffee Bar era. There are several others which I will try and remember
There has been a long tradition of films intended for the family with the Wizard of Oz the most well known Mary Poppins, Bednobs and Broomsticks, Dumbo, Hans Christian Andersen, Oliver, The Lady is a Tramp, One hundred and one Dalmatians, The Jungle Book, Chitty Chitty Bang Bang, The Aristocrats. Willy Wonka and Chocolate Factory come to mind among those I have seen, More recently there is the Lion King and for teenagers the High School series.
The Comedy Musical was personified with the Bob Hope and Bing Crosby Carmen Miranda Road movies - The Road to Singapore, Road to Zanzibar and Road to Morocco, Road to Rio, Road to Bali, Road to Hong Kong but not seen Road to Hollywood.
The list of others where I am yet to try an categorises is much longer than I first anticipated. The Broadway Melody, Showboat, Annie Get your Gun, Rio Rita, Gentlemen Prefer Blondes, Gigi, Chicago, The Producers, Ship Ahoy, Springtime in the Rockies and Yankee Doodle Dandy, Cabin in the Sky. The Desert Song and Shine on Harvest Moon, Anchor’s away and The Bells of Saint Mary’s, State Fair, Zigfield Follies, Blue Skies, and Ester Parade.
The Paleface,( Son of Paleface), On the Town, Annie get you Gun and Tea for Two, and On Moonlight Bay, The Belle of New York and Sailor Beware. Call me Madam, Calamity Jane, Kiss me Kate, Brigadoon, New Faces, Rose Marie, A Star is Born, There’s no business like show business, Hit the Deck, Kismet. Oklahoma and the Tender Trap.
Carousel and the Eddie Duchin Story, The King and I, Funny Face, The Pyjama Game and Pal Joey. Silk Stockings, South Pacific, Some Like it Hot, The Belles are Ringing, Can Can, Flower Drum Song, Gypsy. The State Fair, Robin and the Seven Hoods, Frankie and Johnny. Camelot Thoroughly Modern Millie, Funny Girl, Star, Hullo Dolly, Paint Your Wagon, Sweet Charity and Scrooge.
Song of Norway, Man of La Mancha, Bugs Malone, Slipper and the Rose. Grease. The Last Waltz Xandu, Annie, Best Whorehouse in Texas, Yentl, A Chorus Line. Sister Act. Nine Cleo, Follies I have not been a great fan of Singing in the Rain or Guys and Dolls. I am sure there are many others including the Busby Berkeley films seen at the Wallington Odeon in the 1940’s and 1950‘s
There is one other to mention which is the reason why I am writing this piece. It begins with a Confession in that at the time I was not taken with West Side Story. During last week the film versions appeared on a Sky film channel in HD so I recorded and then gave the film my undivided attention. As with many musical it is ad adaptation of an older story, Romeo and Juliet and star crossed lovers. The film won ten of the 11 nominated Academy awards.
The film opens in an unusual way with an orchestral introduction and no moving pictures. The scene is then set between two street gangs. The Jets are a Gang created from the established neighbourhood with includes a range of former immigrant groups while the Sharks represent the Newcomers, Puerto Ricans. The Jets resent the newcomers on principle and make it is evident they are not welcome to meet together anywhere on their territory, They have the support of the local police in this respect. While the fighting is undertaken by the young men their girls support, encourage and sometimes incite in the gang behaviour.
While the story is condemnatory of the behaviour there is an element in the film and original story which approves the codes of honour involved. The tension between the two gangs has been building leading to the situation of a once and for all showdown being arranged by representatives who will meet at a local candy/drug store. The co founder of the Jets has left to work at the store and dreams of having a girl friend and his life changing (Something’s Coming) The ongoing gang leader, Russ Tamblyn eventually persuades Tony, the other co founder to join the meting to arrange the fight.
The leader of the Puerto Rican gang Bernardo takes his sister Maria played by Natalie Wood and girl friend played by Rita Moreno to the local dance where both gangs enjoy themselves but keep apart from each other. An attempt is made at integration during which time Tony and Maria meet and fall instantly in love and leads to one of the well known songs from the Musical Maria. This leads to a debate about whether the Puerto Rican should keep the ethnic identity or attempt to integrate other cultures have done in the past, although to varying degrees with the USA even if they continue to live in ghetto type districts. It remains one of the great problems that the USA likes to present itself as unified and integrated society when in fact it has always been a collection of different cultures each protecting and furthering their identifies. What cannot be argued against is that loyalty and commitment to nation does bind them all. It is a paradox.
After the dance the couple meet in secret and this lead to the other major number from the show Tonight. When the parties meet to determine the form of the fight Tony has been influenced by his relationship with Marie to try and limit the violence with the suggestion of a fight between two leaders or their champions. Expecting that Tony would be successful Maria becomes excited when at work and sings I feel pretty. She then persuades Tony to try and stop the conflict altogether.
At the arranged venue for the fight Tony’s efforts are ignored and Bernardo kills the other cofounder the Jets. In his grief and anger Tony then kills Bernardo.
Tony goes into hiding, meets up with Maria and arranges to run away with her, returning to the store where he hides. Maria is held up and sends Anita, Bernardo’s girl friend to tell Tony that she has been delayed. At the store she is roughed up and threatened with rape for her efforts and as a consequence she tells Tony that Maria has been killed in revenge because of her friendship by the best friend of Bernardo. Tony is distraught and goes into the Street telling Chino to take his life. He then sees Maria and realises she is alive but when going towards her he is killed by Chino. The musical ends with the sentimental notion that because of these events the war between the two gangs will be brought to an immediate If government, national and local and strong, united and purposeful they can keep a lid on such deeply held differences often by getting rid off or making inactive the very people they previously used to undertake the dirty work. Often those previously leaders or in commanding positions are given political and other positions and they also often have the education and natural intelligence and understanding to make truce, armistice and peace agreements work. There is never immediate sentimental solutions.
However I can see why the work was so popular and achieved critical success. The music, lyrics and dance is integrated to a high level. and stands the test of time. I understand there are many differences between the film and the original stage show. Unlike Moulin Rouge there was however no inclination to immediate get the DVD and look forward to replays. Why is this so.
Moulin Rouge is also based on an internationally familiar work. In this instance La Triviata where a small group of bohemian artists struggle to make ends meet sharing garret and where one falls in love with someone who becomes terminally ill. My bohemian instincts, attraction to the Montmartre district of Paris, the Parisian nightlight life given the film a good head start over West Side Story.
Ewan McGregor a writer finds becomes friends with others sharing the same tenement in Paris close to the Moulin Rouge. They are developing a play for the owner of nightclub and because of an accident to one of their number involved McGregor and persuade the owner to accept him as the writer.
The owner played by the magnificent Jim Broadbent is seeking funds from the British Duke of Roxburgh who wants to have the star of the Moulin Rouge, Satine, played by Nicole Kidman who is experienced in spending the night with those who further her career and support the establishment. By mistake she mistakes McGregor for the Duke and puts up with his poetry reading and they fall in love. Without knowing this Broadbent in effects sells Satine to the Duke and obtains the funds for a complete refurbishment of the theatre and to make the new play into a great spectacle.
McGregor creates a work based on their true life situation in which Satine chooses love rather than wealth and position an ending which the Duke understandably dislikes. He puts up with putting of from Satine and finding the two in compromising situations. The Moulin Rouge owner then discovers the truth and is horrified because in order to ensure his possession of the girl and control over the show the Duke has required the deeds of the Theatre and the final word about the contents of the work. To make the situation worse, Satine and become ill but Broadbent has until now kept the seriousness from her. He now tells her the truth the situation and that in order to save everyone she must pretend not to love him. She rejects McGregor and agrees to spend the night with the Duke and agrees to changing the ending of the play after another jealous cast member alerts the Duke to the true situation. She changes her mind and the Duke tries to rape her but is prevented by the intervention of McGregor and as in West Side Story to plan to run away together.
In desperation Broadbent tells Satine that she is dying o consumption and that the Duke will kill McGregor unless she performs in the show and stops seeing McGregor. In anger McGregor attends the opening performance intending to give money to Satine for their affair todate and in the melee both end up on stage with the Duke’s bodyguard trying to kill McGregor. At one point Broadbent stops the Duke trying to kill McGregor directly. The show is a great success and then Satine collapses and dies. McGregor is seen in his garret writing his great work of truth and love, the Bohemian ideals.
The films continues to appeal to me for two reasons. The music is great often using very known music and lyrics in a creative and amusing way, particularly the South of Music The Hills are alive, and Children of the Revolution( T Rex) and Like Virgin(Madonna). Others remakes are Nature Boy (Nat King Cole), Lady Marmalade (Labelle), Because we Can (Fatboy Slim), Material Girl (Madonna), Smells like teen spirit (Nirvana), Diamonds are a girls best friend, (Marilyn Monroe), Diamond Dogs (David Bowie), One Day (Ill Fly away) Randy Crawford, Roxanne(Police), The Show must go on (Queen) Young Song (Elton John).
The other reason is the glorious colour photography. The combination of the two and the setting make this a film to enjoy time and time again,
Thursday, 9 December 2010
Springsteen 2009
One of the most revered and hated figures of the twentieth century was Che Guevara, In any assessment of the man, rather than the myth, it is important to dive his life into four phases: His childhood, education and first travels throughout South America; His participation in the Cuban revolution; His period in the Cuban Government and then what became his last campaign to spread the revolution to the rest of South America and his execution with the help of the U.S.A assassination
He was born ten years before me as was killed in 1967 aged 39, I like what his father said of him The first thing to note is that in my son’s veins flowed the blood of the Irish rebels, the Spanish conquistadors and the Argentinean patriots. Evidently Che inherited. There was something in his nature which drew him to distant wanderings, dangerous adventures and new ideas. I know nothing of the father except that Jesuit expression give me a child for seven years and I give you the adult,
Che as be became known through the world had grown up in a left wing and revolutionary household as his father supported Juan Peron and socialism and Spanish republicans visited their home. He learned to play chess at he age of 12, I taught myself about that time with a small pocket board with press in figures, playing lunch times at school with a class mate. And later through a correspondence league and playing for Croydon Local Authority against teams form other local authorities across London for one season until I was dropped after a losing run. We shared some of the authors who interested him, although in my instance most were after I left school including William Faulkner, Andree Gide, Walt Whitman, John Keats,, Jules Verne, Franz Kafka, John Paul Sartre, H G Wells, Robert Frost, Jack London and Bertrand Russell and Sigmund Freud. The fundamental difference between us was his father’s influence and my Catholic fundamentalist childhood brought up by aunts.
We both became missionaries.
Three years after entering University to Study medicine he undertook a year off from studies to embark on a motorcycle trip throughout South America with a friend and witnessed the poverty and oppression of ordinary people throughout the continent, also spending short time at a Leper Colony in Peru. His diary of the trip was made into a film, The Motor Cycle Diaries in 2004 which was one of the film highlights of the year.
With me the defining moments were the decision to read two reports of the Nuremberg War Crimes Tribunal, the six month prison experience and the decision to switching to child care after working among exceptionally poor an derived families in Salford Manchester during the summer of 1962 with the Family Service Unit. I was an emotional missionary while he became an intellectual one, never appearing to question or change his belief in revolution through violence and that a Marxist dictatorship was the only alternative to rampant capitalist imperialism
He completed his studies and qualified as a doctor in 1953, He then decided to travel again visiting Bolivia, Peru, Ecuador, Panama, Costa Rica, Nicaragua, Honduras, and El Salvador After six months on the road he reached Guatemala. Here is was introduced to leading members of the left government and also had contacts with Cuban exiles linked to Fidel Castro’s and his attack on a Baptista military barracks on 26 July 1953, Che tried to gain medical work but was advised to leave the country after the CIA sponsored coup following the arrival of Soviet arms into the country. The overthrow of thee government effectively by the USA confirmed his belief in the adverse effects on ordinary people of USA capitalist imperialism in the Southern continent. After taking refuge in the Mexican Embassy he made his way to Mexico. There he met Raul Castro and then Fidel who was plotting to overthrow the corrupt USA crime based regime. As a result of this meeting he decided this was the cause for which he had been looking, Eighty seven Cubans plus Chet set off from Mexico to Cuba in a leaky boat and only 22 survived the landing and of these only twelve were to enter Havana as the revolutionary victors.
As the film Che Part one- The Argentinean accurately portrays he was a ruthless fighting leader as well as caring doctor. Fidel described him as intelligent, daring and an exemplary leader but that he also took too many personal risks. There is nothing in the film to explain his dedication as a doctor and emotionally detached fighter and military leader, except that he and Fidel possessed am earth planet vision and recognised they were only temporary influences. The great part of the film deals with the military role of Che during the revolution, his ongoing work as a doctor, the emphasis providing the poor and illiterate with an education and his initial loyalty to his wife and child in Mexico, and then his growing attachment to a Cuban who offered her services divorcing his wife and marrying her after they entered Havana.
The film ends with his successful battle to take Santa Clara on New Years Eve 1958 and Baptista fleeing on learning that his generals were negotiating a separate peace with the rebel leaders. The ending is distinctly odd, except to indicate that it was only the first part of his life as a revolutionary and that he attempted to maintain his code of appropriate behaviour even in the moment of triumph.
It is noteworthy that President Obama who is attempting the third way revolution has accept the resignation of two of his government nominees following the disclosure that they were federal tax avoiders. The non payment of federal taxes appears to be a long standard activity among government official in the USA. I still remember my sense of shock and horror on being told by a USA government visiting party of top officials and representatives looking at the new British system of Social service local authorities in 1971 how they avoided paying taxes by renting out slums to the poor and others devices. They appeared to have no moral or ethical basis for their work in social welfare.
The film in which Che played by Benicio Del Torro has a documentary feel as the writers and producers attempt to recreate his Memoir Reminiscences of the Cuban Revolutionary War. The chronological account of the progress made after meeting with the Castro brothers to making the journey into Havana is intercut from time to time with a black and white recreation of his 1964 interview a Journalist in New York after addressing the UN. The five demands he made to the UN have echo’s of President’s Obama views in 2008.
I continued with my Bruce Springsteen fest throughout the day enjoying two live performance records, Barcelona and then New York.
Atlantic City 7.10 (Everything dies that is a fact perhaps everything that dies comes back); Because the night, The Rising 7.20;7.30 Dancing in the Dark; Youngstown .35; The Ghost of Tom Joad 8.40; Always a Friend 8.50;eth July Asbury Park Sandy 10.25 Turn Turn Turn; Long Walk Home 10.30 Radio nowhere; You will be coming down; Living in the future; Your own worst enemy.... Come to town; Girls in their summer clothes...pass me by; Gypsy Biker11.00; I’ll work for love; Magic; Last to Die; Devil’s Arcade and Terry’s song. Barcelona Live: Empty Sky; Waiting on a Summer’s day. Badlands, Darkness on the edge of Town. Mary’s Place, proving all night, She’s the one; Lonesome Day, The Rising; Worlds Apart and Dancing the Dark listened to again 12-1.130 the Disk 2. Incident on 57th Street; Born in The USA; Land of Hope and Dreams; Counting on a miracle; Thunder Road; Night; Ramrod; and Born to Run;
Thunder Road; Adam Raised Caine; Spirit of the nights; 4th July Ashbury Park; Paradise by the C; I’m on Fire; Growing Up; It’s hard to be a saint in the city; the Backstreets; Rosalita; Raise your Hand; Hungary Heart; Two Hearts, Cadillac Ranch; You can look; Independence Day; Badland’s, Because the Night; Candy’s Room; Darkness at the Edge of Town; Racing in the Street; This land is your land; Nebraska; Johnny 99; Reason to Believe; Born in the USA; Seeds, The River; War; Darlington County; Working on the Highway; The Promised Land; Cover me; I’m on Fire; Bobby Jean, My Hometown; Born to Run; No surrender; Tenth Avenue Freeze; Jersey Girl.
He was born ten years before me as was killed in 1967 aged 39, I like what his father said of him The first thing to note is that in my son’s veins flowed the blood of the Irish rebels, the Spanish conquistadors and the Argentinean patriots. Evidently Che inherited. There was something in his nature which drew him to distant wanderings, dangerous adventures and new ideas. I know nothing of the father except that Jesuit expression give me a child for seven years and I give you the adult,
Che as be became known through the world had grown up in a left wing and revolutionary household as his father supported Juan Peron and socialism and Spanish republicans visited their home. He learned to play chess at he age of 12, I taught myself about that time with a small pocket board with press in figures, playing lunch times at school with a class mate. And later through a correspondence league and playing for Croydon Local Authority against teams form other local authorities across London for one season until I was dropped after a losing run. We shared some of the authors who interested him, although in my instance most were after I left school including William Faulkner, Andree Gide, Walt Whitman, John Keats,, Jules Verne, Franz Kafka, John Paul Sartre, H G Wells, Robert Frost, Jack London and Bertrand Russell and Sigmund Freud. The fundamental difference between us was his father’s influence and my Catholic fundamentalist childhood brought up by aunts.
We both became missionaries.
Three years after entering University to Study medicine he undertook a year off from studies to embark on a motorcycle trip throughout South America with a friend and witnessed the poverty and oppression of ordinary people throughout the continent, also spending short time at a Leper Colony in Peru. His diary of the trip was made into a film, The Motor Cycle Diaries in 2004 which was one of the film highlights of the year.
With me the defining moments were the decision to read two reports of the Nuremberg War Crimes Tribunal, the six month prison experience and the decision to switching to child care after working among exceptionally poor an derived families in Salford Manchester during the summer of 1962 with the Family Service Unit. I was an emotional missionary while he became an intellectual one, never appearing to question or change his belief in revolution through violence and that a Marxist dictatorship was the only alternative to rampant capitalist imperialism
He completed his studies and qualified as a doctor in 1953, He then decided to travel again visiting Bolivia, Peru, Ecuador, Panama, Costa Rica, Nicaragua, Honduras, and El Salvador After six months on the road he reached Guatemala. Here is was introduced to leading members of the left government and also had contacts with Cuban exiles linked to Fidel Castro’s and his attack on a Baptista military barracks on 26 July 1953, Che tried to gain medical work but was advised to leave the country after the CIA sponsored coup following the arrival of Soviet arms into the country. The overthrow of thee government effectively by the USA confirmed his belief in the adverse effects on ordinary people of USA capitalist imperialism in the Southern continent. After taking refuge in the Mexican Embassy he made his way to Mexico. There he met Raul Castro and then Fidel who was plotting to overthrow the corrupt USA crime based regime. As a result of this meeting he decided this was the cause for which he had been looking, Eighty seven Cubans plus Chet set off from Mexico to Cuba in a leaky boat and only 22 survived the landing and of these only twelve were to enter Havana as the revolutionary victors.
As the film Che Part one- The Argentinean accurately portrays he was a ruthless fighting leader as well as caring doctor. Fidel described him as intelligent, daring and an exemplary leader but that he also took too many personal risks. There is nothing in the film to explain his dedication as a doctor and emotionally detached fighter and military leader, except that he and Fidel possessed am earth planet vision and recognised they were only temporary influences. The great part of the film deals with the military role of Che during the revolution, his ongoing work as a doctor, the emphasis providing the poor and illiterate with an education and his initial loyalty to his wife and child in Mexico, and then his growing attachment to a Cuban who offered her services divorcing his wife and marrying her after they entered Havana.
The film ends with his successful battle to take Santa Clara on New Years Eve 1958 and Baptista fleeing on learning that his generals were negotiating a separate peace with the rebel leaders. The ending is distinctly odd, except to indicate that it was only the first part of his life as a revolutionary and that he attempted to maintain his code of appropriate behaviour even in the moment of triumph.
It is noteworthy that President Obama who is attempting the third way revolution has accept the resignation of two of his government nominees following the disclosure that they were federal tax avoiders. The non payment of federal taxes appears to be a long standard activity among government official in the USA. I still remember my sense of shock and horror on being told by a USA government visiting party of top officials and representatives looking at the new British system of Social service local authorities in 1971 how they avoided paying taxes by renting out slums to the poor and others devices. They appeared to have no moral or ethical basis for their work in social welfare.
The film in which Che played by Benicio Del Torro has a documentary feel as the writers and producers attempt to recreate his Memoir Reminiscences of the Cuban Revolutionary War. The chronological account of the progress made after meeting with the Castro brothers to making the journey into Havana is intercut from time to time with a black and white recreation of his 1964 interview a Journalist in New York after addressing the UN. The five demands he made to the UN have echo’s of President’s Obama views in 2008.
I continued with my Bruce Springsteen fest throughout the day enjoying two live performance records, Barcelona and then New York.
Atlantic City 7.10 (Everything dies that is a fact perhaps everything that dies comes back); Because the night, The Rising 7.20;7.30 Dancing in the Dark; Youngstown .35; The Ghost of Tom Joad 8.40; Always a Friend 8.50;eth July Asbury Park Sandy 10.25 Turn Turn Turn; Long Walk Home 10.30 Radio nowhere; You will be coming down; Living in the future; Your own worst enemy.... Come to town; Girls in their summer clothes...pass me by; Gypsy Biker11.00; I’ll work for love; Magic; Last to Die; Devil’s Arcade and Terry’s song. Barcelona Live: Empty Sky; Waiting on a Summer’s day. Badlands, Darkness on the edge of Town. Mary’s Place, proving all night, She’s the one; Lonesome Day, The Rising; Worlds Apart and Dancing the Dark listened to again 12-1.130 the Disk 2. Incident on 57th Street; Born in The USA; Land of Hope and Dreams; Counting on a miracle; Thunder Road; Night; Ramrod; and Born to Run;
Thunder Road; Adam Raised Caine; Spirit of the nights; 4th July Ashbury Park; Paradise by the C; I’m on Fire; Growing Up; It’s hard to be a saint in the city; the Backstreets; Rosalita; Raise your Hand; Hungary Heart; Two Hearts, Cadillac Ranch; You can look; Independence Day; Badland’s, Because the Night; Candy’s Room; Darkness at the Edge of Town; Racing in the Street; This land is your land; Nebraska; Johnny 99; Reason to Believe; Born in the USA; Seeds, The River; War; Darlington County; Working on the Highway; The Promised Land; Cover me; I’m on Fire; Bobby Jean, My Hometown; Born to Run; No surrender; Tenth Avenue Freeze; Jersey Girl.
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